Oscar Wilde’s famous and eloquent defence of love – made while he was being cross-examined at the trial that led to his incarceration and death – is strikingly illustrated, word by word, with Mapplethorpe-like imagery.
Quentin Crisp
as Narrator
The Michigan Kid is a gambler in the backwoods of Alaska trying to make enough money to go back to his hometown and impress the girl he loves. His childhood rival for the girl happens to turn up at his casino, in trouble and doesn't want his girl to find about it.
A transgender girl kidnaps the daughter of a trans-phobic Minister in order to pay for her sex change operation.
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can't quite work up the inertia to escape their university's pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.
A spirited young woman finds herself destitute and on the streets before joining a traveling carnival, where she meets a vagabond painter.
A group of gay friends try to live with dignity and self-respect while events build to the opening battle in the major gay rights movement.
Lorenzo, a quiet teenager lives in a small town at the edge of the world in beautiful Patagonia. He’s a good student and a curious and smart person, more skilled in music and literature than sports. Lorenzo’s father decides to host Caito, the son of a friend from Buenos Aires who had to go to hospital for a long stay. Caito has obviously a different family background and seems to be a tough kid. Lorenzo finds Caito very intriguing in many ways as they start spending a lot of time together…
A tough-guy cop pursues two drug runners across the city to bust a large syndicate. Very much an anti-hero, Mitchell often ignores the orders of his superiors and demonstrates disdain for by-the-book development work as well as normal social graces.
Stranded and broke after her erstwhile boyfriend leaves her, A onetime London heiress joins a con man to bilk a millionaire at his Italian villa. Little do they realize that he knows full well who they are after being tipped off by Scotland Yard.
Jerry, a new student at an elite Catholic prep school, must face the hazing practices handed down by the Vigils, a group of powerful students. When teacher Brother Leon pushes the students to sell chocolates for a fundraiser, the head of the Vigils, Archie, gets Jerry to reject selling for 10 days. However, Jerry decides to keep up the refusal past the original time frame, which pits him against the Vigils and the school staff.
A gay man approaching a mid-life crisis is tired of being different because he is gay. He wants to be normal. Suddenly he is yanked back in time to when he was in high school. But this time, the world is gay and to be straight is considered deviant behavior. Then something else happens. He meets a girl. And suddenly normal becomes ...well almost normal.
Paul, Matt, and Will (in their 30s) have been friends for years. They converge at the seaside for the weekend, each with a boyfriend in tow. Paul is with Ben, his companion of five years: their relationship is on the rocks after months of Paul's moodiness since his brother Mark died. Matt brings Owen, whom he's dated for three months and wants to live with; to everyone else, they seem singularly.
The Big Show, the only feature-length motion picture produced by the Miller Brothers, is a behind-the-scenes melodrama set within their show. The story: Bill, a war veteran who has been defrauded by his brother, rescues Ruth, the elephant girl, and joins the company. Secretly engaged to Bill’s “bad brother” Norman—allegedly an oil millionaire—Ruth rebuffs her rescuer’s affection. Her elephant, however, knows a villain when he smells one and eventually gives Norman his just deserts. Preserved by the Academy Film Archive in partnership with the National Film Preservation Foundation New Zealand Project in 2012.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
Writer Lee Yun-ho was the son of a traditional music drama family and met Hanako who had visited Cheongju to learn gayageum. Hanako passed away, leaving her 12 year-old daughter Yumae. Lee Yun-ho lived with her and his old father. Sora, a friend of Hanako, had loved Yun-ho for a long time and took care of his family. However, Yun-ho still had Hanako in his heart and consoled his lonesome heart by loving his daughter Yumae.
Based on the life of Roberto Carlos Ramos, a Brazilian teacher and storyteller brought up in a state educational institution for poor children.
Two boys from a soccer team disguise their love relationship as sheer friendship so as not to be discovered. One night of passion inside a car wash could trigger a different path in their lives.
School's out and 13-year-old Walter has lost his father. In his seemingly aimless wanderings around the Roman coast, a fascinating and mysterious place catches his eye: an abandoned villa with a huge, murky swimming pool. But the villa is not unguarded...
Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.
A woman gets help from her gangster friends after her foster son takes the blame for a murder he did not commit.