All the Witches

Who Is Afraid Of Ideology? Part 4 Reverse Shot

A prospective wish is announced at the very beginning: "Imagine a land without ownership". Ownership? Since when? How? Where? With which implications? This is what Marwa Arsanios endeavours to discover in the fourth part of her meticulous ongoing project whose generic title is Who Is Afraid of Ideology? After documenting feminist experiments of community autonomy in Lebanon, Kurdistan and Syria (Who Is Afraid of Ideology? I&II, FID 2019), Marwa Arsanios ventures a hypothesis in the form of speculative fiction, from a remote piece of land in Lebanon, a cut in a stone quarry. In this small piece of land, a few sidekicks make that postulate, and slowly share stories of domination and exploitation. This land has a complicated administrative, legal, geological and biological history. (Nicolas Feodoroff - FIDMarseille)

Secrets of the Unknown: Curses

Curses examines historical hexes. Learn the fate of those who had contact with the Hope diamond after it was stolen from an idol in India. In ancient Egypt, people protected the deceased from thieves by placing curses on tombs. Discover the events and peculiar deaths which occurred following the discovery of Tutankhamen's tomb. See how voodoo worshipers cast spells of harm.

Arizona Sheepdog

Arizona Sheepdog is a documentary film that was originally released to theaters by Buena Vista Distribution on May 25, 1955 as a double-bill with Davy Crockett, King of the Wild Frontier.

Hysteria

Hysteria explores issues surrounding women's emotions and sexuality, and their social manifestations.

A glass of water

A married woman reflects on her painful past and wonders what she would say to her 15-year-old self if they ever met a quiet conversation between innocence and experience.

Planet of the Tapes

A Deep Dive into the life of Stephen Zivkovic, the owner of the last DVD rental store in Adelaide.

Amazing! Exploring the Far Reaches of Forbidden Planet

A documentary about the making of, and legacy of, the Forbidden Planet movie.

Statues Hardly Ever Smile

Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.

King of Clubs

A group of remote control car racers compete over the course of summer 2021, on different tracks in the South of England, all aiming to be crowned the King.

Syllable on the Ending

Captured during the early days of production, this unreleased film offers a glimpse into its rehearsal sessions — an intimate icebreaking moment where the cast come together through song and rhythmic clapping.

Drei Frauen

Citizens of Nowhere

Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.

30 Years of the Film Foundation: Martin Scorsese and Ari Aster in Conversation

In the following conversation, recorded remotely in 2020, filmmakers Martin Scorsese and Ari Aster discuss the mission, evolution, and ongoing work of The Film Foundation, the nonprofit organization dedicated to protecting and preserving motion-picture history that Scorsese established in 1990.

Avatar Spirits

Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.

A Cor do Cinema

Kujang Sasaka Bwaga Sunda

Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.