The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.
Lars Henrik Blind
as
Johan Märak
Maxida Märak
Maj-Doris Rimpi
Jean Clottes
Too hot! The spawning fish do not come at the right time and the pepper plants end up dying in this heat. "This is a very different weather that not even the spirits can understand." From their gardens, homes, and backyards, the indigenous women of the Amazon involve us in their vast universe of knowledge while they observe the impacts of climate change in their ways of life.
For almost a century, the Coast Salish knitters of southern Vancouver Island have produced Cowichan sweaters from handspun wool. These distinctive sweaters are known and loved around the world, but the Indigenous women who make them remain largely invisible.
This documentary takes you on a reflective journey into the extended family of Nova Scotia’s Mi'kmaq community. Revisiting her own roots, Mi'kmaq filmmaker and mother Catherine Anne Martin explores how the community is recovering its First Nations values, particularly through the teachings of elders and a collective approach to children-rearing. Mi'kmaq Family is an inspiring resource for both Indigenous and non-Indigenous audiences who are looking for ways to strengthen and explore their own families and traditions. We hear the Mi'kmaq language spoken and a lullaby is sung by a Mi'kmaq grandmother featured in the film.
Through the lens of sport, AFL legend Michael O'Loughlin shines a light on the history and experience of the Indigenous Australian people. Current AFL players, Michael Walters and Tarryn Thomas, join O'Loughlin to unpack racism, discrimination and the unbreakable bond they each share with their indigenous communities.
The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.
Greenland is the largest island in the world and the landmass closest to the North Pole. 80% of the country is covered by a layer of ice up to 3000 meters thick. Through the eyes of locals we get to know the authentic Greenland.
Part oral history and part visual poem, Miss Campbell: Inuk Teacher is the story of Evelyn Campbell, a trailblazer for an Inuit-led educational system in the small community of Rigolet, Labrador.
For four years, the Jicarilla Apache Nation's Johnson O'Malley program, led by Lynn Roanhorse, and Holt Hamilton Films have joined forces to encourage, motivate, and empower Jicarilla Apache youth by providing hands-on learning and mentorship in the filmmaking process. Follow this exciting journey as Native American youth show the world they can do great things when EMPOWERED.
An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.
The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.
Promised Land is a social justice documentary that follows two tribes in the Pacific Northwest: the Duwamish and the Chinook, as they fight for the restoration of treaty rights they've long been denied. In following their story, the film examines a larger problem in the way that the government and society still looks at tribal sovereignty.
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.
A woman with indiginous roots in her 40s goes on a trip into her past: When she was four years old she had been taken away from her mother by the canadian authorities, like many others. This is her very sad story as an example for many others.
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
Nedarma (Travelling) is one of several documentary features co-directed by Anastasia Lapsui and Markku Lehmuskallio that portray the daily lives of the Nenets, Lapsui’s tribe based in the northern tundra of Siberia. The film invokes Nenets cosmology as a way of leading into a filmic structure that portrays the arc of life from birth to death.
After a plane crash, four indigenous children fight to survive in the Colombian Amazon using ancestral wisdom as an unprecedented rescue mission unfolds.
On Canada's Pacific coast this film finds a young Haida artist, Robert Davidson, shaping miniature totems from argillite, a jet-like stone. The film follows the artist to the island where he finds the stone, and then shows how he carves it in the manner of his grandfather, who taught him the craft.
