Armádní dvojčata

Bílá vrána

Mam’zelle Nitouche

The Pirates of Penzance

In spite of being apprenticed to a Pirate King as a child, Frederic has led a very sheltered life. So when he arrives in Cornwall with his boisterous shipmates, there are a few surprises in store for him!

The Devil's Brother

Two wannabe bandits join the service of a dashing nobleman, who secretly masquerades as Fra Diavolo, a notorious outlaw.

Uličnice

Rozkošný příběh

Slečna matinka

A Time of Destiny

World War II provides the setting for a melodramatic tale of love and revenge.

Porgy and Bess

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.

Fra Diavolo

Based on the opéra comique of the same name, the film follows the exploits of Italian brigand Fra Diavolo.

Rigoletto

A musical drama based on Giuseppe Verdi's opera Rigoletto.

The Magic Flute

A seventeen year old travels from London to the Austrian Alps to attend the legendary Mozart boarding school. There, he discovers a centuries-old forgotten passageway into the fantastic world of Mozart's "The Magic Flute".

Naughty Marietta

In order to avoid a prearranged marriage, a rebellious French princess sheds her identity and escapes to colonial New Orleans, where she finds an unlikely true love.

Nobody's Children

In 1921, Titanus released a three-part serial based on a popular Italian novel from the turn of the 20th century: Nobody’s Children by Ruggero Rindi. The tale of lovers thwarted by class differences, of illegitimate children and parental recognition denied was a major success for producer Gustavo Lombardo and leading lady Leda Gys.

Carmen

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.