Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.
Maja Izetbegović
as
Maja Jurić
Džana Pinjo
A record in moving images of a timeless dimension, the tragedy takes place in a dark void where the voiceless ones enact their drama in a theatre of infatuation, power and vengeance. The force of the roar reverberates as insanity erupts from total stillness, free of dialogue. An atmosphere of total darkness envelops every single particle and atom, external and internal, in dreams and in the heart. This film is adapted from the Thai folk tale of Gagee, a maiden so enchanting and fragrant as a flower, so irresistible that all who gaze upon her fall under her spell. They vie with each other to possess her, leading to war. This ancient legend has been reimagined and retold by new characters as a silent, surreal movie.
A woman returning home after having a sour day decides to sleep.
A father says goodbye to his young daughter. In time the daughter grows old, but within her there is always a deep longing for her father.
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.
An aging Chinese mother suffering from empty nest syndrome gets another chance at motherhood when one of her dumplings springs to life as a lively, giggly dumpling boy.
Imagine you had ten seconds more in your day. What would you change about your life?
A man stays alone with his children in a half demolished house in the middle of a desolate field. His wife has just been killed by a grenade in a military battle. He is expecting a new attack. Instead a wandering caravan called Circus Fantasticus stops by the house. They bring along the dying director of the circus. Is it possible for anything beautiful to happen in a landscape of war and death? Can life go on? Is it possible to realize that death does not exist?
A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.
Mysterious and eerie details regarding a young woman's murder start to unravel as a seemingly mundane day is not what it appears to be.
"In this film you will see a woman's handkerchief tied around a man's wrist, a well-shaven pig's head, some adolescents who are more inventive than their elders in struggling against oppression... You will not, however, hear any dialog. Words do not prepare, do not accompany, do not comment upon the action. This is not a silent film, but a film in which the only moment of life retained for the cinematographic spectacle are those where people do not speak. The spectator will find, perhaps, a greater freedom of interpretation in it and, we hope, a particular pleasure in this." (Alain Cavalier)
An average working man who is alone in a world of deception finds himself in a marriage of convenience.
The man sneezes and dies.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Peter is a slight lad, solitary, locked out of the woods by his protective grandfather, his only friend a duck. In town, he's bullied. When a wolf menaces the duck - as well as grandfather's fat cat and an ill-flying bird that Peter has befriended - Peter bravely tries to tree the wolf. Grandfather, the townspeople, and the hunters who have antagonized Peter figure in the dénouement.
When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A young boy and his dog spend an afternoon trying to capture a playful frog at a nearby pond.
