Wojciech Brydziński
as Anton Sergeevich Stroev
Vera Kholodnaya
as Anya, Stroev's daughter
Petr Baratov
as Valeriy Nikolaevich Turanov
G. Shmolts
as Klavdia Petrovna Bocharova, ex-wife of Turanov
Yanina Mirato
as
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.
Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.
Capturing a beautiful horse and slave girl, Thurya young Arab Jaafor’s happiness is short lived when the girl is sold to a cruel sheik. Sneaking into the encampment he attempts escape with her on horseback but is captured. The attack of an enemy tribe saves him, the sheik is slain, and the young Jaafor’s tribe celebrates his nuptials with Thurya.
After a man's wife leaves him for a sculptor, his only comfort is a statue of his wife.
When Cindy Lane becomes pregnant, Mark Brierson, the father, refuses to marry her. Instead, Brierson romances Azalia Deering, whose father, General Deering, owns the town bank. Brierson misuses bank funds, but the bank is saved by Jack Rose, a wealthy farmer. Cindy's father Zeb vows to kill her lover, but she refuses to reveal the man's identity.
Sir Philip Randall, a prominent judge, is fed up with the antics of James, his scapegrace son, and tosses him out of the house. The conflict between father and son leaves Mrs. Randall heartbroken, and when she dies, she makes her husband swear to help James if he ever needs it. When Joe Merrion, a bookmaker, is found dead, circumstantial evidence points to Squire William Rufford. Although Randall can't believe he committed the crime, he is forced to convict him and sentence him to prison. But later, when James, whose wild ways have left him penniless, comes to his father for help, Randall discovers that he was the killer.
After divorcing her husband Kent, actress Anne Wetherall returns to the stage. Upon receiving a plea for help from childhood chum Nell Jerrold begging Anne to save Nell's daughter Betty from marrying Kent, the ex-Mrs. Wetherall decides to journey to the Jerrold's home in the town of Wheaton to investigate.
Penny arrives in the West by aeroplane. She is considered a suspicious character and thrown into jail. Kurt Walters, a ranch foreman and deputy sheriff, discovers that she is the same girl that his friend, Jo Gary, met in Chicago. Gary fell in love with her, but she confessed she was a thief. Since Penny claims she wants to reform, Walters releases her and sends her to live with Mrs. Kingdon. In spite of her teasing and taunts (or perhaps because of them), Walters finds himself falling in love with Penny.
Roger Curwell (William Stowell) is disowned by his father (Joseph W. Girard) because of his desire to be an artist. But instead of making good as a painter, Roger finds himself drunk and on the skids in San Francisco's Barbary Coast. At a dive run by Hell Morgan (Alfred Allen), he meets Lola (Dorothy Phillips), who nurses him back to physical and moral health.
A story of treachery and intrigue, with the outcome of the story contingent upon a packet of "secret papers."
This part-talkie (17 minutes of dialogue in its 83-minute running time) tells the tale of Christina, the daughter of Dutch toymaker Niklaas. Much to her dad's dismay, Christina falls in love with sideshow huckster Jan. Likewise disapproving of the romance is Jan's jealous employer Mme. Bosman, who frames the young man on an embezzlement charge.
Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.
In his will, Mr. Baird leaves his son Arnold just one seven-passenger auto and a hundred dollars to keep it filled up and in good repair. When James Bennett hears of this, he insists that Baird do something to make his fortune before he can marry his daughter Ruth. Bennett begins by using the car to start a jitney-bus line. This is not terribly impressive to Bennett -- who owns a trolley company -- and he decides he would rather see Ruth married to his controller, William Mott-Smith.
Genuinely sweet natured, Ambrosia Lee loves to help everyone, soothing their sorrows with her cheerful spirit. Her charms are put to the test, when she tries to save her own Aunt Charlotte's marriage. Happily, all ends well, when her Aunt and Uncle are happily reunited.