Eric Sigfrid Persson
as Himself (archive footage)
Magnhild Persson
as Herself (archive footage)
Signe Persson Melin
as Herself
Sven Erik Persson
as Himself
Per Melin
Examines the practical philosophy, the achievements and frustrations of one of New Zealand's most lively and innovative architects, Ian Athfield. The film provides a portrait of the architect and his work both in New Zealand and his project to design housing for 140,000 squatters from the Tondo area of Manila in the Philippines, for which Athfield won an international competition in 1975.
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.
Andres Kurg is an art historian who likes Danish modernist architecture and therefore wants to settle there. He argues with Danish officials to grant him a residence permit for aesthetic reasons.
Crownsville Hospital: From Lunacy to Legacy is a feature-length documentary film highlighting the history of the Crownsville State Mental Hospital in Crownsville, MD.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.
This insightful documentary feature from PJ Letofsky serves as a profile of iconic Austrian-American Architect Richard Neutra, whose work and legacy have helped shape the modern understanding of design, architecture and the interconnected fabric of nature. Today, Richard's legacy lives on through his son, Dion, who has taken up his father's mantle after nearly three-decades under his mentorship.
A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min
Gray Matters explores the long, fascinating life and complicated career of architect and designer Eileen Gray, whose uncompromising vision defined and defied the practice of modernism in decoration, design and architecture. Making a reputation with her traditional lacquer work in the first decade of the 20th century, she became a critically acclaimed and sought after designer and decorator in the next before reinventing herself as an architect, a field in which she laboured largely in obscurity. Apart from the accolades that greeted her first building –persistently and perversely credited to her mentor–her pioneering work was done quietly, privately and to her own specifications. But she lived long enough (98) to be re-discovered and acclaimed. Today, with her work commanding extraordinary prices and attention, her legacy, like its creator, remains elusive, contested and compelling.
What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.
Urban architecture as seen through the eyes of four female veterans in the field.
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
A portrait of Frank Lloyd Wright (1867-1959), a genius of modern architecture, whose life passed between glory, scandal and tragedy.
Nicknamed “Architect to the Stars,” African American architect Paul R. Williams had an incredible life. Orphaned at the age of four, Williams grew up to build mansions for movie stars and millionaires in Southern California. From the early 1920s until his retirement 50 years later, Williams was one of the most successful architects in the country. His clients included Frank Sinatra, Cary Grant, Barbara Stanwyck, William Holden, Lucille Ball and Desi Arnaz. His name is associated with icons like the Beverly Hills Hotel, the original MCA Headquarters Building and LAX Airport. But at the height of his career Paul Williams wasn’t always welcome in the restaurants and hotels he designed or the neighborhoods where he built homes, because of his race. “Hollywood’s Architect: The Paul R. Williams Story” tells the compelling, but little known story, of how he used talent and perseverance to beat the odds and create a body of work that can be found from coast to coast.
"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
Castiglione d'Otranto, in the South of Italy. A group of thirty-year-olds no longer accept that the solution to the economic, ecological and political problems of the territory is always "to leave". They propose to the villagers who own pieces of uncultivated land, often felt as a burden, to put them in common. They decide to stay, to link their lives to the land and to invest in a value: being together. Castiglione becomes the village of restance. They cultivate ancient seeds and local biodiversity, they make decisions together, they develop a local economy. Accepting the shadows of the past, another potential of the place is rediscovered.