In 2045, a filmmaker lands on Mars and tries to make a film. “Home… Far away from home”, he recalls faces of people, thus a collection of moving images emerge.
Thi Hau Cao
as
Van Lang Ho
A television program is interupted by a news network announcing that three meteors have hit the United States, France and China. At first it seems natural but after interviews by scientists and eyewitness seems to suggest that it is not. Three more meteors are coming and the various Earth governments combine forces to stop them.
The town of Midground is threatened by a tsunami caused by a massive earthquake in the North Pacific Ocean. After other unexplainable events transpire, Chase Lombardi and friends are forced to discover whether they are experiencing a natural phenomenon or something else all together.
1976: Two young journalists leave for the French-Swiss border to investigate a strange case of cattle mutilations and record testimonies for a TV channel. Yet, once they get there, the scientific team they were supposed to meet has gone missing. Escorted by a first-aider, a British biologist and an American forensic investigator, Melissa and David will go looking for the missing team deep into the mountains.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
A few days after his grandfather's death, young Igor decides to make a documentary about the history of his family in an attempt to understand why his grandfather, Guilhermino, was obsessed with strange facts that had happened in his city. Thus, in 1990, in the interior of the state Rio Grande do Sul, Igor and his father Nilson interview relatives, friends and people involved in the case in an attempt to undo the bad name of his grandfather, but what they find out is a part of the story of the state, unraveling mysteries related to extraterrestrials, failed space programs and a muddled mission of the Cold War.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In this spoof of "March of the Penguins," nature footage of penguins near the South Pole gets a soundtrack of human voices. Carl and Jimmy, best friends, walk 70 miles to the mating grounds where the female penguins wait. The huddled masses of females - especially Melissa and Vicki - talk about males, mating, and what might happen this year. Carl, Jimmy, and the other males make the long trek talking about food, fornication and flatulence. Until this year, Carl's sex life has been dismal, but he falls hard for Melissa. She seems to like him. A crisis develops when Jimmy comes upon something soft in the dark. Can friends forgive? Does parenthood await Carl and Melissa?
A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.
Mass hysteria breaks-out over an alleged demonic possession in an Indiana home. Zak Bagans then buys the house, sight unseen, over the phone. He and his crew soon become the next victims of the most documented case of demonic possession in US history.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie Mon Ami, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims.
One of the 20th century Belgian artists who was the most idolized, exhibited, published, sold... Yet the artist himself, Jean-Michel Folon (1934-2005), whose work became controversial because deemed insipid, with its mannerisms, pastel tones and colors, remains little-known. Through previously unseen archive footage, Gaëtan de Saint-Rémy offers him a voice.
Two women, aspiring documentary filmmakers, find themselves trapped in a monster-plagued Tokyo in 2003.
Scott Shaw presents a film by Donald G. Jackson, UFO: Secret Video. The answers are out there if you know where to look.
TIMETRAVEL_0 is an extraordinary docudrama that follows Cris McCarthy as she explores the urban web legend of John Titor, the man that came from the future. Cris searches for evidence of Timetravel and John Titor's predictions of a massive civil war. In the process of her filming, her work was investigated by authorities and eventually confiscated by the government. Its recent release has allowed it to be edited and produced.
Produced in 17 different countries entirely virtually during the 2020 global pandemic, the film follows five characters based all over the world, connected only by their devotion to the late founder and tech titan Finley Hart. Forced to work together to shut down Hart’s most secret invention, a machine that is either the solution to mankind’s problems or the end of the earth.
A nightmarish essay film on the history of the doorbell, tracing its invention and constant reinventions through 19th century labor struggles, the nascent years of narrative cinema, and contemporary surveillance cultures.
In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.