A collage of live performance, intimate interviews, and cityscapes featuring San Francisco punk club Mabuhay Gardens. With Flipper's Will Shatter, The Avengers' Danny Furious, Negative Trend and more.
Drinking, partying, shredding BLACK METAL. This is the way of the ROAD. In this documentary experience exclusive footage of Mordhau and WarCastle's EAST COAST ONSLAUGHT! This documentary contains live footage of three shows along the bands tour route and raw interviews all shot and edited by Monzer "Maky" Kotob of Bughead Media.
On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.
"A Million Smiles" is a documentary film showcasing the Baseball Without Borders Foundation based in San Francisco, CA for nearly 30 years. Baseball Without Borders Foundation brings joy to children throughout the world through a love of America’s favorite pastime, baseball. They provide new and used baseball and softball equipment to children of all ages and they donate all equipment free of charge. Donations have been made to children in 52 countries since 1995. Baseball Without Borders has no paid staff. 100% of donated funds help to promote friendship, recipients' native cultures and connection with the less fortunate of our world. This is the first film in Baseball Without Borders history. This film focuses on bringing awareness to the culture and children of Yucatán while giving viewers a sense of the impact that Baseball Without Borders has been creating for more than 27 years as it carries out its mission to weave joy through the world by offering the gift of baseball.
Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
Considered one of the most cerebral punk rock bands around, Bad Religion puts on a unique live show that has them blasting through song after song in record time. This documentary, compiling footage from 14 different concerts, captures the raw power and frenzy of the band as they toured Europe in 1989 to promote their third album, "Suffer." The 26 featured songs include "Do What You Want," "Land of Competition," "Best for You" and more.
Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Formed in 1979 in Wichita, Kansas, the so-called "blister pop" band the Embarrassment played major U.S. cities and garnered praise from the likes of Allen Ginsberg, John Cale and Jonathan Demme, but their refusal to compromise their vision made success elusive. Through archival interviews and concert footage, this documentary draws a portrait of the oft-overlooked post-punk legends.
Iconic Welsh rock musician Mike Peters' rise to fame, battle with cancer and inspiring return, featuring one-of-a-kind performances from other legendary musicians.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
Amateur documentary chronicling the first six years of Showbread's touring career. Previously available as the main feature of the independently released How Showbread Ruined My Life DVD.