Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
Teona Strugar Mitevska
as Edna (voice)
Gaza is a 14-year-old boy who lives on the Aegean coast of Turkey. Together with his domineering father, he helps smuggle refugees from war-torn countries to Europe, giving them temporary lodgings and scant food until they attempt the crossing. Gaza dreams of escaping this life, but can't help being drawn into a dark world of immorality, exploitation and human suffering. Can you avoid becoming a monster when you've been raised by one? Onur Saylak's debut feature, adapted from the award-winning novel of the same title by Hakan Günday, one of the first novels to document the refugee crisis in Europe, "More" is the gripping story of a boy that gets to grow up in a world where there's no room for innocence.
The arrival of the young teacher Damjan in one village in western Macedonia shakes the usual daily life of its inhabitants who belong to different religions.
In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant's shape to see what life is like in her skin, igniting a deep seated curiosity to experience life inside the bodies of others.
A woman reads the newspaper with such intensity that she gets literally devoured by it. Painted on its pages she witnesses some of the tragic events of our times, drowns in ocean trash and is threatened by the elements unleashed by climate change. Yet in her despair she transforms this darkness into movement and art, so she plants the seeds of hope.
The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.
The story of two brothers of different orientation and fate. The drama takes place in an atmosphere of tension and fear, during the conflict of Yugoslav Communist Party with the Stalinism, during the Cominform. Older brother Dragoslav, a returnee from Russia, was unjustly accused of being a Russian spy and subsequently arrested. Younger brother Kosta is not interested in politics, but he's attracted by a brother's wife Vera and underworld mafia. In the end, it turns out that a young woman belongs to the Soviet spy agency.
After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.
In the treacherous and swampy forests that make up the so called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine.
The first Macedonian Movie from 1952- Frosina is one of the many Macedonian wives whose husbands are economic emigrants abroad. Marriage does not bring them a family, only the burden of life itself. After her husband's short visits, she gives birth to children who do not live long because of the poverty into which they have been born. She gives birth to them alone, and she buries them alone. Only her last child, Klime, survives all his various illnesses and grows up to be her one joy in life. The war breaks out...
When a Danish family finds themselves on a holiday island, in the midst of the first major refugee crisis in Europe in our time, our northern European, well-intentioned, humanistic values are put to the test.
The story of an asylum seeker in England who, when confronted with the hostile immigration system in the UK, is forced to live on the fringes of society and rely on his bike to survive. Based on the lived experience of co-writer Ayman Alhussein.
The story takes place in March of 1943 during transportations of Jews from Skopje. Nikola is a surgeon who was taken his working license away, and spends evening hours at the local bar where German officers, along with Bulgarian officer Simeonov, play Russian roulette with their gun pointed at prisoner's head. After suicide of one German mayor, Nikola and the prisoner escape.
The inhabitants of a small village in a backward area of Macedonia earn their living by sending their men abroad in search of employment. Three young girls, named Elica, Maria and Nikolina live and work as schoolteachers in the village. Each of them try to make sense of their lives, in that situation where it is imposed on them. In the village the greatest problem is the supply of water. Spring water is carried by Marko from the distant mountains Marko is falls in love with the poor girl Kate...
A widowed Greek fisherman and a teenage refugee form an emotional bond while sailing the azure waters of the Aegean Sea.
Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.
