The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.
Ryo Kamioka
as Man
Keiko Teramoto
as Woman
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
A tutorial about guided meditation. Throughout the project, the spectator is invited to follow a series of steps that, if done well, will take them to a calm and tranquility state.
Ram(z)I is a lonely, working-class man who died twice. Ram(z)I was renamed as soon as his first body died to die again in Jerusalem, buried under a dusty ground while digging for artifacts of a 6000 year-old ancient city. This film explores the obsession of a settler state that continuously excavates to find artifacts to trace history and invent a new one.
In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.
A door that's leads to something more.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
A sequence of 10 images presented in 10 groups of 400 alternating frames. The primary image of a bird is gradually disfigured by the successive introduction of competing imagery, yet the overall field seems to have its own life.
Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Inspired by geology, science fiction, and documentary archives, CORPS MINÉRAL integrates a narrative co-written by Gabrielle HB and Charline Dally (Le désert mauve). The film connects the spaces of our lives and of our sensible experiences with geological phenomena of immeasurable temporality. The layers of memory, whether they are contained in the rock or in our cells, are part of a cycle from sedimentation to disintegration. The work invites us to apprehend these processes with attention and empathy in order to consider their slowness as a means to heal even the deepest fractures.
"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.
A young boy wakes up one day with the inexplicable behavior of an ape.
A skin flick
We were slightly feverish when we started working with a particular color process. At the development, we had obtained wonderful tones of blue and yellow as well as colored solarizations. Thus, this process was used for 15 days then the fever subsided. At that time they listened to the music of Gilbert and Lewis, and that is why they put a piece on the soundtrack.
A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?
