Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
Dermi Azevedo
as Entrevistado
On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
Rome, Italy, June 1993. Antonietta De Lillo and Marcello Garofalo interview legendary Italian film director Lucio Fulci (1927-96).
The true history of Japanese Unit 731, from its beginnings in the 1930s to its demise in 1945, and the subsequent trials in Khabarovsk, USSR, of many of the Japanese doctors from Unit 731. The facts are told, and previously unknown evidence is revealed by an eyewitness to these events, former doctor and military translator, Anatoly Protasov.
The documentary, " Death and the Judge", revolves around Iran's most famous criminal judge, Azizmohammadi. He served as a criminal judge for 45 years and issued about 4500 death sentences; a record in not only Iran, but also the world. This documentary looks into his personal and professional life as he is followed within his home with his family, in the court of law, and in his retirement days. The ultimate purpose of the documentary is to deduce the role of death in the judge's life as he either takes life away from criminals or death comes to his loved ones. During his retirement, he is once again given the choice between the life and death of a person, despite no longer being a judge.
Fabiana, Carlo, Claudio and Vincenzo… I met them in 1982 in Mercatale, their village in Tuscany, near Florence. They were aged between 25 and 45 and were cheerful militants in the Italian Communist Party, that strange party which has made its mark on history and which was both a school and a family for them. I have filmed in Mercatale every two or three years for over 20 years (1982/2004). The fi lm takes the “long view” of their political and personal development against the backdrop of village life. Stories with both human and political interest spanning over a quarter of a century with relevance for present day issues: what has become of the plans to change the world in Berlusconi’s Italy? From a more global perspective: what else can politics do? When the time comes to take stock the paths of their rich and varied personal lives cross once more with all their doubts and allegiances.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.
The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.
The documentary sheds light on the lives of children who suffered physical and psychological trauma due to the terrorist attacks by Armenia on the eve of the Second Karabakh War.
The night of July 15, 2016 changed the history of Turkey. On that day there were coordinated attacks by parts of the Turkish army, among others in Istanbul. The aim of the military: a coup against the government. The decisive confrontation occurred on the Bosporus Bridge. While President Erdogan was still on vacation, live at TV he called on the people who were devoted to him to stand against the military. As an enemy for the masses, he presented his adversary Fethullah Gülen, whom he branded as the coup leader. He also urged the imams of the country's mosques to condition the population to resist. And so it happens that at night thousands of agitated people take to the streets to oppose the armed insurgents. The death toll was high. 352 people died across Turkey during the attempted coup. The consequences are even more serious: Erdogan used this gift, as he called it himself, to undermine democracy, to arrange mass arrests of dissidents and to transform Turkey into a dictatorship.
The true stories that spawned the serie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling information about the the all-too-memorable flick that has terrorized film audiences since 1976.
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad
Pikilina is a Dominican-born woman of Haitian descent. Racial and political violence erupts when the country of her birth, the Dominican Republic, reverses birthright citizenship and she and 200,000 others are left stateless.
In 2017, twenty years after the British handed over Hong Kong to China in 1997, young people, more politicized than any previous generation and proud of their land, do not feel Chinese and actively fight against the oligarchs who want to subdue them to China's authoritarian power.
"My heart belongs to daddy / Majn harts gehert tsum tatn" - the same old love song. But now it is actress Basia Frydman who sings it in Yiddish accompanied by her musicians at home in Kjell Westling's living room. And Tate, that's Basia's lovely old dad Simon, doing his work in a hairdressing salon.
Documentary about the practice of abortion in France in the early seventies, at a time when it was still illegal.
