"Women On Trail" exposes the innate corruption and sexism in the family court system as children are removed from their mothers and given to fathers who often either don't want them or have been convicted of domestic violence.
Lee Grant
as Narrator
Their job is stealing, their lives a cruel dead end. Director Jon Alpert takes his cameras undercover for this hard-hitting look at men who live by theft and suffer addiction. Focusing on a year in the lives of three professional criminals, this gritty profile—which includes hidden-camera footage of actual thefts—exposes the "petty" crimes that are paralyzing America.
Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.
In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
One year after the tragedy that took the lives of fourteen female students, Montreal’s École Polytechnique has returned to something resembling normalcy. Nathalie Provost is a survivor of the shooting at the engineering school. Today, with friends, she opens up. About the tragedy, about feminism. About racism and sexism. About the fact that society has difficulty accepting difference. And, above all, about life, which must go on beyond December 6.
An examination of the issue of missing and murdered Indigenous women, the film explores the reasons why Indigenous women are uniquely vulnerable to violence by juxtaposing the stories of some missing or murdered women with the personal testimonies of women who are doing activism on the issue and women who have personally survived incidents of violence.
Stacey Dooley goes behind closed doors and speaks to the now younger face of domestic violence. She questions victims and abusers to try and understand how deep the issues surrounding domestic abuse are for those who have survived and those currently experiencing the abuse.
Christy Martin broke boundaries and noses as she rose in the boxing world, but her public persona belied personal demons, abuse and a threat on her life.
Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.
AND SO I STAYED is an award-winning documentary about survivors of abuse fighting for their lives and spending years behind bars. These women paid a steep price with long prison sentences, lost time with loved ones, and painful memories. Formerly incarcerated survivor-advocate Kim Dadou Brown, who met her wife while incarcerated, is a driving force in the passage of New York’s Domestic Violence Survivors Justice Act (DVSJA), a new law meant to prevent survivors from receiving harsh prison sentences for their acts of survival. Nikki Addimando, a mother of two young children, suffered the consequences when a judge didn’t follow the law’s guidelines. Tanisha Davis, a single mother who was ripped away from her son in 2013, is hopeful the new law is her way out of a harsh prison sentence.
A series of lawsuits and allegations have legendary rap mogul P. Diddy on the ropes. TMZ has the troubling inside story from people who were there.
An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.
Short documentary about the lives of three girls and the women who rescued them from retrogressive cultural practices in their own Maasai community at the AIC Girls School and Rescue Center in Kajiado, Kenya. It is an intimate portrait of these women as they sacrifice everything to make a stand against female genital mutilation and early forced marriage happening within their own culture.