Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.
Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.
Children of the Arctic is a portrait of five Native Alaskan teenagers growing up in Barrow - the northernmost community in the United States. As their climate and culture undergo profound changes, they strive to balance being modern American kids and the inheritors of an endangered way of life.
Renowned Inuit lawyer Aaju Peter has long fought for the rights of her people. When her son suddenly dies, Aaju embarks on a journey to reclaim her language and culture after a lifetime of whitewashing and forced assimilation. But can she both change the world and mend her own wounds?
TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
Two Canadians, one Liberal and one Conservative, attend a U.S. convention focused on depolarizing politics, determined to engage in tough conversations for a healthier democracy.
Kathrine Switzer, Siila Watt-Cloutier, and Sharon Farmer. They are the first woman to run the Boston Marathon officially, the first woman to connect climate change to human rights, and the first woman to serve as Chief White House Photographer. These trailblazing women broke barriers in their time and continue to pursue their passions to this day. They’re living proof that you can follow your dreams and maybe change the world in the process.
Canada was led to war by a bigoted, ignorant, self-obsessed Minister of Militia, who may well have been clinically insane, but the importance of Canada's contribution in that war owes a great deal to him. The man of course, was Colonel - later made Lieutenant General by his own hand - Sam Hughes. Sam's Army is a compelling portrait of a complex man and the formidable military he built. Sam Hughes was not your standard-issue military leader. Canada's World War I Minister of Militia and Defence concentrated power in his own hands, insisted that the Canadian military use the ill-conceived Ross rifle and liberally promoted his cronies. But there was no denying Hughes was a visionary. He assembled the world's largest-ever volunteer army and bucked superiors to keep his ferocious fighting force together in one Canadian Corps.
Canadian military accomplishments in the last hundred days of World War I, when the German Army was destroyed, surpassed those of any other army. The Canadian success was, in no small measure, due to Arthur Currie, whom a recent British historian describes as "the most successful Allied General and one of the least well known."
A two-hour documentary which recreates for the viewer one of the greatest battles in Canadian military history. The film was made to show that Canadian character at its best, forging an identity for a country that before the First World War had been seen only as a British colony - an identity and a character that became recognized and respected throughout Europe.
Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.
After years of preparation, a team of highly motivated Quebeckers set out on one of the longest wilderness expeditions ever documented. Stage one involves skiing in relentless polar conditions from Ellesmere Island to the Northwest Passage where the challenge was reaching the mainland. Cue canoes for a 2000km journey across Nunavut and NWT until they reach the first dirt road available where bikes are waiting to be pedalled 4000km to Point Pelee in Ontario.
The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.