In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.
Naturalists Charlie Russell and Maureen Enns film recently discovered grizzlies on Siberia's Kamchatka peninsula.
Batbileg lives in a ger district of Ulaanbaatar with his wife and two children, making a living by training falcons for hunting and showing them to tourists. Every year, at the beginning of summer, he captures and trains the hawks, and at the start of winter, he releases them back into the wild. One of his recurring endeavors begins with training a hawk named “Andgai.”(Oath). However, laws and regulations on bird training are lacking, and the densely populated urban environment, crowded with people and buildings, is far from suitable. Batbileg aims to revive Mongolia’s ancient falconry culture, raise public awareness of the value of falcons, and pass on conservation ideals to the younger generation. Yet, in the face of the many challenges before him, he is forced to confront a dilemma: should he comply with the law, or remain faithful to his ancestral tradition?
A unique 'direct cinema' feature length documentary (no narration or interviews) originally filmed in the Spring of 1970 and concluded during the Summer of 2017 (footage added, restored, and re-edited). A day in the life of an inner-city Harlem elementary school. In 2018 filmmaker Phil Gries reunited with seven of his former Harlem elementary students whom he hadn't seen in 50 years.
Documentary about the process of horse breeding and the progress a foal makes and what you should consider.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
After 20 years of living in Berlin, the director Olga Delane goes back to her roots in a small Siberian village, where she is confronted with traditional views of relationships, life and love. The man is the master in the home; the woman’s task is to beget children and take care of the household (and everything else, too). Siberian Love provides unrivaled insights into the (love) life of a Siberian village and seeks the truth around the universal value of traditional relationships.
Imagine one of the most remote wildernesses in the world. Granddaughter Masha and Vladimir, the protagonists of this story from Central Siberia try the impossible to keep their nomadic traditions alive.
Really strange documentary of Wheeler Dixon production quality on the Tunguska Event and the possibility of it happening again causing an apocalypse (basically a meteor scare film) sprinkled with UFO conspiracy kooks, and other 'professionals', riddled with stock footage of all kinds, freaky moog music and sound fx, a Dr. Who rip-off end theme, Victor Buono as Homer the Archivist, a philosophical history recorder in a space ship with a HAL 9000 type talking computer named Ino, there's also another space ship with Egyptian looking aliens girls with pasties and see-thru blouses.
In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.
In 1829 the naturalist Alexander von Humboldt attempted a russian-siberian expedition. Humboldt travelled to obtain a clear view of nature, people and life in this immense country. 2019 naturalists and humanists attempted a transdisciplinary expedition on the trails of Humboldt. To capture the events various cameras were taken along. A non-chronological narration.
Captured by the Red Army during World War II, Hungarian soldier András Toma was admitted to a Soviet psychiatric hospital. After disappearing from prisoner-of-war records, he was presumed dead in Hungary. Because his name was incorrectly recorded in medical documents and he spoke only Hungarian—mistaken by staff for incoherent speech—Toma spent decades misunderstood and isolated in the institution. Fifty-three years later, a visiting Slovak doctor recognised his language, triggering an investigation by Hungarian authorities. Toma was repatriated in 2000, believed to be the last prisoner of war from World War II to return home.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The film shows the life of women in a tent camp on the edge of the Sahara. An old nomad woman and her daughter from the city argue about happiness - where do you find happiness, in the desert or city. Women and men in open dispute about love, suffering and passion. In an amazing way, something of the self-confidence, independence and courage of these daughters of the sand becomes palpable.
In February 1974, Pam Sambo Zima, the oldest of the priests of possession in Niamey, Niger, died at the age of seventy-plus years. In his backyard, the followers from the possession cult symbolically break the dead priest's ritual vases and cry for the deceased while dividing up the clothes of the divinities.
David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.
In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?
