In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.
In front of Jean Rouch's camera, Germaine Dieterlen recalls her ethnographic itinerary, at the Musée de l'Homme, in Mali and in the Paris of the 1930s.
A family of Kalmyk nomads walks in the footsteps of their famous ancestor, Genghis Khan, on a dramatic journey of initiation along the ancient silk road.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
Shigeki, one of the Ainu people of northern Japan, follows the traditions of his ancestors and teaches his son Motoki about their heritage. But how can old customs be revived after centuries of suppression?
Could our mounting modern problems have ancient solutions? Travel to the depths of China to find out.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.
Naturalists Charlie Russell and Maureen Enns film recently discovered grizzlies on Siberia's Kamchatka peninsula.
Taking the form of a travel diary of a television journalist, this documentary tells about the life and work of the people of Yakutia: pilots, artists, drivers, and reindeer herders.
An old, broken morin khurr (horse head fiddle) compels renowned Mongolian singer Urna Chahar Tugchi to take a road journey to Ulan Bator and the steppes of Mongolia.
St. Petersburg, Russia, December 30th, 1916. Grigori Rasputin is assassinated. The story of the humble peasant who became the most influential adviser to czarina Alexandra Feodorovna, wife of the last czar, Nicholas II Romanov.
In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?
Really strange documentary of Wheeler Dixon production quality on the Tunguska Event and the possibility of it happening again causing an apocalypse (basically a meteor scare film) sprinkled with UFO conspiracy kooks, and other 'professionals', riddled with stock footage of all kinds, freaky moog music and sound fx, a Dr. Who rip-off end theme, Victor Buono as Homer the Archivist, a philosophical history recorder in a space ship with a HAL 9000 type talking computer named Ino, there's also another space ship with Egyptian looking aliens girls with pasties and see-thru blouses.
In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions.
The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.
Currently Mongolia’s capital has 1.5 million inhabitants - half the population of the country. 50-year Tumurbaatar is only one of many coming to the city to fulfil their dreams of a better life.
The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.
Best friends Hazel Findlay and Maddy Cope journey to the rocky outer reaches of Mongolia, on a quixotic search for new trad routes.
Robert J. Flaherty’s follow-up to Nanook of the North shifts from the Arctic to the South Seas, portraying Samoan village life with a painterly eye. Blending ethnographic detail with a romanticized “Gauguin idyll,” the film celebrates daily rituals, communal traditions, and the passage into adulthood, suffused with what Flaherty called “pride of beauty, pride of strength.”