THEY DANCED. The documentary is about women and men who danced and helped make a lot of Rappers and Singers performance presentations exciting and unforgettable.
Flex Alexander
as Self
Darrin Henson
Carrie Ann Inaba
Jossie Thacker
Cheryl 'Salt' James
The Finnish modern dancer Noora Hannula dances through this documentary film in her own explosive style. Noora’s life has always been very connected to the artist environment with her grandfather, Simo Hannula, who throughout his entire life dedicated him fully to his art. Noora and her grandfather crossed paths when Noora used a picture of his dead body in her show and now we meet Noora working on her newest show: The Era of No Talent Rising, while she is trying to figure out where her own limits are.
The record label Death Row Records has, since its creation in 1993, been synonymous with the American hip-hop climate. Formed by ex-bodyguard Suge Knight, the label has released seminal rap albums from luminaries including Dr. Dre, Snoop Doggy Dogg, and the famous hip-hop martyr Tupac Shakur. WELCOME TO DEATH ROW is a fascinating, well-researched documentary which explores the history of this intriguing and incredibly significant company.
A documentary on the surviving syncretic pagan midwinter customs of the British Isles, focusing on nine ritual celebrations ranging from the Moray Firth in the north, the Somerset Levels in the south, Humberside in the east, and County Kerry in the west. Featuring music by the Albion Band and narration by John Tams.
1988 marked the year in which the debut album of the Chilean band De Kiruza - Oficial was released, where the single "Algo está pasando" stood out, the first Chilean rap recording.
Redman and Xzibit sit down to play new music, react to each other’s tracks, and share untold Hip-Hop stories. From their first rap influences to competing with guests on their records, this is an unfiltered look at their creative process, career wisdom, and legendary journeys.
Documentary in which Darcey Bussell profiles Hollywood dancer Fred Astaire, marking 30 years since his death.
A whistle blower counts the steps. The steppers share glances. The whistle blower stops blowing the whistle and attempts to steal their glances. Steps are broken and transform. A new glance replaces the old.
A multimedia performance including film, live narration and dance, How Can You Stay in the House All Day and Not Go Anywhere? explores loss and transcendence experienced in human partnerships. Reflecting on his relationship with 102-year-old former sharecropper, carpenter and gardener Walter Carter as well as Andrei Tarkovsky’s science fiction classic, Solaris, Lemon and 6 dancers create a performance which arcs from turbulent physicality to restorative grace.
BYE (AJÖ), a new dance film, is choreographed and directed by acclaimed Swedish choreographer Mats Ek. " About a woman (Sylvie Guillem) who takes leave of a certain stage in her life. It is a conversation that she has with herself that leads to new experiences.
The iconic Korean hip-hop group Epik High debuted in 2003 and has since captivated fans worldwide with their exceptional lyricism and evocative music videos. Now, their 20th-anniversary concert comes to life in a stunning documentary, capturing the raw passion and emotions of these hip-hop poets on stage. Joined by their devoted fans, "High Skool," Epik High sets their sights on an even greater future together.
Dance educator LIN Ssu-tuan is the first professional nude model in Taiwan in the 1950s and the 1960s, the muse for painters and sculptors in the art world, and the face for photographers’ salons around the world; in the end, she reversed the dynamics of the subject vs. the object and went on to perform her first solo modern dance in 1975, turning herself from the state of passiveness to an active educator of the art of dance. LIN is over 80 years old, but she still fervently pursues her ideals and passions with her body; her path of life is indeed a book of female art history that communicates with the society in Taiwan.
A couple of dancers appear one morning in a High School. It's Monday and they announce to a group of youngsters that they have five days to get up on stage and dance. A short time but a big challenge. The dance compels these youngsters to break through their roles exactly at the time of their lives when the social roles are being forged. The handsome boy is no longer the most admired, the timid one takes a step forward. Wilfried van Popple and Amaya Lubeigt are the choreographers. Professional dancers who have decided now to work with people who have never danced before. This is the challenge: five days, a class of teenagers, a microcosm in which occurs a little big bang.
De La Soul Is Not Dead is an ode to the act’s iconic 1991 studio album De La Soul Is Dead. The film documents the Long Island group’s rise to prominence and subsequent rise through the ranks of rap. Centered on De La Soul’s first four projects, De La Soul Is Not Dead is a study of the critically-acclaimed group’s most productive, significant period of creation.
Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
With the help of record label 88rising, we look through the eyes six different artist from six different backgrounds, all within Asia, as they share their thoughts on the recent rise of hip-hop throughout the region.
This film follows Dwixatary, an experimental hip hop rapper from Cikarang, navigating life shaped by poverty and personal loss. After dropping out of school and losing his father, music becomes his only space for survival and self-expression. Through Dwixatary’s journey and the voices of other Indonesian rappers, the film exposes the harsh realities of the underground hip hop scene—limited opportunities, economic struggle, and the long distance between process and success. As rare opportunities emerge and disappear, the story questions whether holding on to artistic belief remains possible when life demands certainty.
