On the brink of social collapse, the city of Los Angeles California is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.
A short retrospective documentary on the struggles of eating disorder.
The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.
Hiding in the Walls unwinds the fraught history of lead poisoning in Baltimore and follows the adult survivors who are on a mission to reclaim the narrative.
Women share their innermost secrets and intimate experiences inside an Estonian smoke sauna. Cleansing their bodies and baring their souls, they embrace the healing power of sisterhood.
The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.
In a context marked by exploitation and clandestine labour, a group of farm workers are promised work under contract and fair conditions during the orange harvest in southern Italy. After only five days, they are forced to stop picking and wait in the orange grove for new instructions.
Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.
For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated filmmakers in Quebec and Canada, a leak leaked to the press reveals that the book contains anonymous allegations of pedophile acts committed by the filmmaker. The rumor spread like lightning, suddenly igniting the entirety of Quebec society. By finding today some of the main witnesses propelled overnight into the heart of an unparalleled media tornado, the documentary reconstructs with archive images and other previously unpublished images, the sequence of events which led to a rewriting of the story.
