As the WHO warns the coronavirus is reaching a dangerous tipping point, watch the most up to date and comprehensive account of the extraordinary chain of events that have left the world on the edge of a pandemic.
Sharon Lewin
as Herself
Raina MacIntyre
Stephen McDonell
as Himself
At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.
Escape from everyday life in freedom and community and live utopias - for many organizers and artists, the secret of the music festivals that make culturally weak Mecklenburg-Western Pomerania a place of pilgrimage for tens of thousands of people every summer. But instead of freedom, community and utopia, there was one thing above all in the festival summers of 2020 and 2021: silence.
End of a trilogy started with Hold up and continued with Hold On, Hold out questions the official narrative about the COVID-19 pandemic.
The world lost Hayden Hunstable to suicide in the middle of the mandated stay-at-home orders on April 17th, just 4 days before his 13th birthday. Hayden did not struggle with depression nor did he have a history of mental health problems. He was a normal healthy and happy kid who was unprepared for social isolation. His parents attribute Hayden’s emotional suffering to a “perfect storm of routine disruption, social isolation, increased gaming, and a pressure stack of activity cancellations,” all created by the government’s mandated stay-at-home orders in the wake of the COVID-19 global pandemic.
In the beginning it felt like a holiday, then everything changed due to Covid19.
Five young filmmakers share stories of their families, who were on the frontlines during the first wave of the Coronavirus. These intimate accounts shine a light on families caught in chaos and crisis, in a city hiding from a deadly virus, in a country riven by social upheaval.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?
Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.
When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century
Filmed and edited entirely in isolation, Living in Fear is an educational and inspiring documentary directed by myself, Stephanie Castelete-Tyrrell, a disabled filmmaker as I capture the fears and struggles disabled people faced before the government implemented the lockdown on the 23rd March 2020. Thousands of people with disabilities were left in the dark and had to make the call weeks before to lockdown as it was inevitable that we would die if we caught the virus. Food was impossible to access because we couldn't go out or get delivery slots, and even if we did panic buyers made it impossible to get the items we desperately needed. We were truly isolated, unable to have family and friends visit. Having carers coming in and out of the house was risky and many disabled people felt that having basic care was putting their lives at risk.
The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.
Cédric is a child like millions of others. The only difference is that the little boy is seriously ill and must spend six months in a hospital. Fortunately, the medical staff are well aware that Cédric, like other kids named Steve or Dolores, must - above all else - live his child's life.
More and more bacteria are becoming insensitive to antibiotics, not least due to excessive drug consumption. According to the EU, this problem could soon become as explosive as the environmental issue - and antibiotic resistance threatens to become one of the main causes of death worldwide. Research must therefore find alternatives - not miracle cures, but permanently effective drugs. There has already been one in the past: One hundred years ago, the French biologist Félix d'Hérelle discovered mysterious "bacteria-eating" viruses, known as bacteriophages or phages for short. He used these to successfully treat bacterial infections before the development of antibiotics, but his method was forgotten again. Is bacteriophage therapy the miracle medicine of the future?
A French documentary on how Covid-19 affected Hollywood and the cinema industry in the United States.
