Broken Palace

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

The End of Summer

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Hart Crane: An Exegesis

James Franco interviews three experts on the poet Hart Crane, whose life was the subject of his feature The Broken Tower (2011).

A Fan's Guide to Ms. Marvel

A documentary short that gives you an exclusive look behind the groundbreaking original series, "Ms. Marvel", from its comic book origins to its development and production as Marvel Studios’ next hit series on Disney+. It features interviews with its award winning filmmaking team and the show’s captivating star, newcomer Iman Vellani.

Blood of 1000 Virgins

The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.

John Betjeman: A Poet in London

Poet John Betjeman is shown visiting locations including Vauxhall Park, Aldersgate Street station, Camden Town and Hatfield, where he recites a handful of his poems.

The Simón's Jigsaw: A Trip to the Universe of Juan Piquer Simón

A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).

The Newcomers

Kianoush Ayari’s film captures rare scenes of everyday life on the streets of Tehran in the months following the revolution of 1979.

Scum Manifesto

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

Larisa

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Clawing! A Journey Through the Spanish Horror

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

The Detection of Mineral Oil

Documentary on oil exploration, the phase before drilling.

Hannas baby

The Spirit of the Tsilqot'in People is Hovering over the Supreme Court

The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.

To Stay Alive: A Method

Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.

Julieta

The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

The Dinosaur and the Baby

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.