Filmed at Masonboro Island, an undeveloped barrier island in southeastern North Carolina, “Tides” contemplates the liminal space between the modern technological world and that more ecological dimension we label as “nature” or “the environment.”
Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
For 100 years, we have waged war on wildfire in the United States, and ironically, have created a more volatile landscape than ever.
A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.
A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
A beautiful and disturbing film recounts America’s story from the environment’s point of view. From the arrival of Columbus to the simple wilderness living of the 16th and 17th centuries, through the agrarian lifestyle of the 18th century, the changes from the Industrial Revolution, to the 20th century when most of the planet’s resources have been depleted — this film examines the North American landscape and all the wildlife destruction, deforestation, soil depletion and pollution that have been wrought to make the American Dream come true.
An urban essay film searching for meaning and philosophy: "When you enter an existential crisis, all filters fall. Reality is shaded in low contrast, low key, foggy. Every outside signal grinds down mind and teeth and gets caught in a feedback loop. Every thought is a downward spiral."
The audience is taken through a range of years through archival footage exploring the ups and downs of our lives and the thing that connects us all, love. Seven interview subjects: a philosophy professor, a film professor, a humanities professor, a retired lawyer turned archivist, a volunteer, a dance student, and a fashion student, explore their backgrounds with religion, their current personal philosophies, whether or not they believe we have a purpose, or if the things we do have any meaning at all. Eventually everything wraps back around to love.
In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.
Within the heart of New Jersey, a scorched wilderness stands in defiance of the encroaching megalopolis that surrounds it. Once deemed inhospitable; north and south, rural and suburban, harmony and disruption, truth and folklore, all merge and contradict around the stories that unite individuals living among the land. Spanning six years, the film paints a portrait of nature and identity that aims to capture the surreal wonder of the Pinelands during a time when corruption threatens to undermine its few protections.
A silent dance documenting a brief visit to Minneapolis in the fall of 2022. A reflection on the sleeping city's tumultuous recent history through a recollected interaction and a plea for continued disturbance. Twin City Twist was shot on Kodak Tri-X reversal super 8 film with kaleidoscopic lenses. The film was scanned and edited digitally.
"When the shamans stop dancing and life in the rainforest loses its balance, the sky will collapse and come to crush everything." This wisdom is passed down from generation to generation by the Yanomami of Brazil. But gold miners are polluting the rivers, shamans are dying, the rainforest is disappearing and the earth is getting hotter. Davi Kopenawa, a tribal leader and spokesman for the Yanomami, has been fighting relentlessly against the colonization of his land for 40 years. He warns Westerners that when the sky collapses, they too will be crushed. Why don't they listen? Translated with www.DeepL.com/Translator (free version)
Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.
Made for screening at the U.S. Pavilion at the 1974 World's Fair in Spokane Washington, USA, which had a Native-American environmental theme, MAN BELONGS TO THE EARTH depicts the history of air, water, and earth pollution, and how environmentalists are trying to solve these problems using various technologies.
