Get to know a little bit about Paulo Moreira, sign painter from the metropolitan region of Belo Horizonte - MG, his hand painting techniques and the challenges that his profession presents in the daily lives of big cities.
Paulo Moreira
as Himself
In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.
Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.
The Broken Brothers Brass Band visits the Andrés Muñoz Garde public special education school in Pamplona. And through their interaction with the workers, the volunteers and even the beneficiaries, the work that is done there is revealed, the universe that is hidden there.
Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.
The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.
Guy Debord's analysis of a consumer society.
The trembling starts in his neck when Markus gets closer to the images that have chased him for 49 years. Now he steers his motor home south, as far away from his past as possible.
Aging parents of disabled adults, they worry about their child's life after their disappearance. A moving insight into the daily life of a family home in the Vendée region, which offers them the prospect of a peaceful future.
Sake is a traditional alcoholic beverage from Japan and is otherwise known as rice wine. Women were prohibited from entering the many large and small sake breweries dotting Japan for centuries. However, times have changed and women are present on the sake scene today. In several cases, they are integral to the Japanese brewery business. The documentary depicts women who are not only enthusiasts, but also leaving their marks on the evolution of this Japanese mainstay.
'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.
Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
Examines the implications of Christian Nationalism, how it distorts not only our constitutional republic, but Christianity itself, and asks the question: What happens when a faith built on love, sacrifice, and forgiveness grows political tentacles, conflating power, money, and belief into hyper-nationalism?
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
Deep Brazil. Between drifting through a city in the interior of Mato Grosso on the banks of the BR-163, we follow moments of the routine of Ana Rúbia, who is preparing for the launch of the book “School Memories of Travestis”.
Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.
October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.
Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.