God

Bioscope

Bioscope is an anthology film having 4 short films inspired from 4 poems.

Observing as the World Burns

Observing as the World Burns: Poems is an evocative, introspective short film that transforms lines of verse into raw visual poetry—confronting the dual forces of personal introspection and outward chaos. Anchored by cinematic performances, layered voice-over, and an emotive soundscape, the film embodies the tension between witnessing life’s unraveling and finding meaning within it. Rather than dramatizing action, this film immerses the viewer in the experience of attention—the act of watching, contemplating, and articulating what it means to be alive. At the same time, everything feels like it’s burning. It is both a cinematic poem and a visual diary—an invitation to witness, feel, and reflect alongside the narrator.

Last Love

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

I'm Thinking of Ending Things

Nothing is as it seems when a woman experiencing misgivings about her new boyfriend joins him on a road trip to meet his parents at their remote farm.

Before I Go to Sleep

A boy and a girl are left homeless while expecting their baby to be born. Together they leave the familiar world and set to the unknown.

The Room

A quiet killer is looking for a room. The real state agent, shy and expressionless, guides him through Tokyo, towards the ruins the decadent economy has left behind, in hopes of finding The Room.

Sometimes: A Collection of Poems About the Progression of an Ending

A collection of three poems that explores the ending of a love that was once seen as everything.

Down on the Sidewalk in Waikiki

In between growing frustrations toward cleaning up after an endless parade of tourists and reflections on a traumatizing memory, a voice rises from within a soft-spoken Hawaiian janitor down on the sidewalk in Waikiki. This narrative short film is inspired by a collection of poetry published posthumously featuring the work of Kānaka Maoli poet Wayne Kaumualii Westlake (1947-84).

Hope Gap

Grace lives an idyllic life in a British seaside town, but her world soon comes crashing down when her husband of 29 years tells her he's leaving her for another woman. Through stages of shock, disbelief and anger -- and with support from her son -- Grace ultimately regains her footing while learning it's never too late to be happy.

Wife! Be Like a Rose!

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

The Counselor

A lawyer finds himself in far over his head when he attempts to get involved in drug trafficking.

Dil Ka Kya Kasoor

Shalini Saxena lives a wealthy life-style with her brother Rajesh. She attends college and writes a few poems under the name Seema as part time activity, she meets her fellow collegian an orphan called Arun Kumar who sings for important occasions usually following the words of her poem. Shalini loves Arun wholeheartedly but is unable to express her feelings to him and thus she secretly helps Arun to not only become a popular singer but also rich. And then Arun gets married to the college principal daughter Meena; this breaks Shalini's heart and to make matters worse she is diagnosed with throat cancer and does not have any longer to live.

In Custody

Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.

Experimetral

A journey into a mind of an artist with creative crisis.

Blue

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

Knickknacks

A visual poetry short film, inspired by and featuring the poem "Knickknacks" by Tuesday Taylor York.

Poem: I Set My Foot Upon the Air and It Carried Me

A series of poems.

Sleeping Songs

Martin, a nu-jazz trumpet player with a unique style, is fighting against convention and mediocrity. He will not accept any compromise, neither in his music, nor in love. When he gets the feeling that Kristina, the love of his life, only loves him for his musical talents, he is deeply hurt.Disappointed, he bids farewell to both her and his previous life. On the edge of society, he meets an old woman, Hanna, who bequeaths him her pain in the form of poems. Martin is immediately fascinated. Can they guide him back to himself, to Kristina, or to his music?

Beaux et courageux

Pull My Daisy

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.