Paris, Latin Quarter, May 1968. Images of barricades and police movements in the street. In his bedroom, on his bed, a young man indulges in daydreams that invade the whole space.
Jean-Claude Brisseau
as Young man
A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party.
During the events of May 1968 in France, different worldviews of conflicting relatives collide in their family estate.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
Young-ho doesn't have any dreams for his life. He has been studying for three years to enter a university. He decides to send a letter to his childhood friend So-yeon. But her younger sister So-hee receives the letter instead of her sick sister. So-hee writes back to Young-ho, pretending to be So-yeon. Meanwhile, So-hee takes care of her sick sister and also runs a secondhand bookstore with her mother.
Produced within the framework of the “Programmi Sperimentali” of Italian public television (structure of the RAI which allowed, in the 1970s, the production of films such as Lutte en Italie by the Dziga Vertov Group, Cancer by Glauber Rocha or Perché pagare per essere felici by Marco Ferreri), Cronaca di un gruppo tells the story of a group of young French revolutionaries who, between Paris and the Pyrenees region, are looking for ways to continue their political activities, through the theater experimental and counter-information, the day after May 68. Produced in collaboration with Gianni Toti, Didier Sandre and the Nanterre experimental theater group.
A montage film that begins in May 1, 68 and ends in mid-June. Everything is there: the students of Nanterre in revolt, the demonstrations, the cobbles, the barricades, the rioting nights, the busy Sorbonne, the happening of the Odeon, the factories on strike and Séguy who gets on the bandwagon , the general protest, 10 million French without work, de Gaulle and The reform, yes, the doglit, no, the Gaullist demonstration of May 30, Grenelle, the death of a high school student, the offensive Pompidou and the return in the factories.
A film considered almost lost even by Garrel, who recently found his negatives. Shot during the events of the May 68, it was made collectively; the film is a merge of Garrel’s and his partners’ points of view, all of them students and filmmakers that participated in the revolt.
During the summer of 1968, a young French woman staying in an isolated country house reflects upon her involvement in the events of that May.
In 1915, Elizabeth has fallen in love with Horace Robedaux, a young man her father condemns as a "wild boy." No matter how strict and protective, her parents cannot deter their daughter's growing independence.
Time doesn’t wait for us. Daniel works on his book while spending time in the countryside with his mother and sister. His writing, which has his the troubled relationship with his father as main subject, is composed of memories full of pain, longing and conflict.
Miti, an old worker, and Sokol, a young driver, undertake a long journey to transport a huge metallic tower from the Durrës harbor to an important plant.
Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.
France, 1974. The erotic film Emmanuelle, directed by Just Jaeckin, breaks all records for cinema attendance: the story of the creation of a sensual epic that marked a turning point in the struggle for sexual emancipation.
Guy Debord's analysis of a consumer society.
An 18-year-old man, living on a Dublin housing estate with his grandfather, is caught holding drugs for his friend's older brother and sentenced to 3 months in prison.
Moses and Kitch, two young black men, chat their way through a long, aimless day on a Chicago street corner. Periodically ducking bullets and managing visits from a genial but ominous stranger and an overtly hostile police officer, Moses and Kitch rely on their poetic, funny, at times profane banter to get them through a day that is a hopeless retread of every other day, even as they continue to dream of their deliverance.
Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.
Fabian builds his house on an old cart that he will pull himself, with the plan to walk to Serbia. But then it turns out that building the cart in itself is quite a journey. Will the cart ever leave it's place?