Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.
A city symphony of '70s New York as it exists in the movies that mythologized it.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A short documentary on the practice of Zar in Sudan.
Saddari is a story of A 3 Young bikers decide to hit the road to another state for adventure , Ending up embarking on a challenging bike trip across all of Sudan with less than a 100$ In their pockets combined and worn-out bicycles, Facing numerous challenges along the way.
At the Myrtle-Wyckoff intersection, transportation arteries and the community overlap and interact, connect and collide, react and respond. Where are people going? Where are they coming from? And, what lies underneath all of the activity?
Tonj, Sudan is the land with only desperation from poverty and war. This is the story about priest also doctor, educator, musician and architect Lee Tae-seok’s work and hidden episode behind.
The Kush Empire was an ancient superpower that dominated the Nile Valley and rivaled the Egyptians, and now, a new, cutting-edge investigation at a mysterious tomb could reveal the secrets of this formidable lost kingdom.
LONDON SYMPHONY is a brand new silent film - a city symphony - which offers a poetic journey through the city of London. It is an artistic snapshot of the city as it stands today, and a celebration of its culture and diversity.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Sudan, Southern Kordofan, the Nuba Mountains in Africa. Scenes from the forgotten war that the fighters of the Nuba people have held since 2011 against the government of President Omar al-Bashir and the Sudanese army, which crudely show the hard daily life of Hannan, a brave woman fighting for the survival of her family; Jordania, a promising student; Mosquito, a reckless journalist; and Al-Bagir, a rebel leader.
While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
This acclaimed documentary follows the story of six people who are determined to end the sufferings in Sudan's war-ravaged Darfur. The six - an American activist, an international prosecutor, a Sudanese rebel, a sheikh, a leader of the World Food Program and an internationally known actor - demonstrate the power of how one individual can create extraordinary changes.
Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.
Unfolding in a series of eight vignettes, Sound Spring explores the history ofYellow Springs, Ohio over hundreds of years, as narrated by its residents incomical scenes: one interviewee rollerblades and reads the village's water meters, another stands on his head in a breakdancing freeze. The villagers describe American history-their ancestors' settlements after slavery, a friendship with Coretta Scott King, and Ohio's Trail of Tears- among other more personal details of village life. The wording of their recollections is imperfect, unsure-in fact they are all re-stagings of their previous audio interviews. Through performing their own previously recorded media, villagers uncover layers of time and storytelling.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
The elder filmmaker makes a strong statement against the practices of circumcision as they performed around Africa and particularly Sudan. The film is typical of the later Gubara films which are determined to take a stand against the tyrannies that are still keeping people down. Gubara has stated that circumcision is "Nothing more than a bad habit".
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.
