After the elections that followed the Tunisian revolution, as well as the violence that shook the country, an author seeks to make a film on women's issue in his motherland. He makes his questioning the subject of his film and starts a journey.
Amira Derouiche
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Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this "promised land". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.
Follows Bradley - only the third American coach to manage a foreign team - his wife, Lindsay, his staff and his players. In gaining access to the training camps and providing in-depth coverage of the Pharaohs' games in Africa, the filmmakers document the team's personal and professional struggles to keep their eyes on the prize of getting to the World Cup while living in and representing a country in turmoil.
An intimate portrayal of Tunisia’s architectural landscape and its atmospheres, memories and traditions. The film appropriates ethnographic documentaries on architecture and rural life in Tunisia, sourced from France’s national audiovisual archive (INA). Scenes from 1940s newsreels produced by Les Actualités Françaises are combined with new footage from the same sites, including Matmata, Douiret and Tameghza.
Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.
Nefertiti's Daughters is a story of women, art and revolution. Told by prominent Egyptian artists, this documentary witnesses the critical role revolutionary street art played during the Egyptian uprisings. Focused on the role of women artists in the struggle for social and political change, it spotlights how the iconic graffiti of Queen Nefertiti placed her on the front lines in the ongoing fight for women's rights and freedom in Egypt today.
The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.
Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.
In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.
Dr. David West Reynolds, archaeologist and a New York Times #1 best-selling Star Wars author, learned in 1995 that the original Star Wars filming locations used for Luke Skywalker's home planet of Tatooine had become lost forever. Not even Lucasfilm, producers of the Star Wars movies knew where they were anymore. This documentary follows Dr. West Reynolds journey to Tunisia in search of the locations behind that made up the alien home world of Luke Skywalker.
A chronicle of the civil uprising against the regime of Ukrainian president Viktor Yanukovych that took place in Kyiv in the winter of 2013/14. The film follows the progress of the revolution: from peaceful rallies, half a million strong in the Maidan square, to the bloody street battles between protesters and riot police.
Most people don't think about singing when they think about revolutions. But song was the weapon of choice when, between 1986 and 1991, Estonians sought to free themselves from decades of Soviet occupation. During those years, hundreds of thousands gathered in public to sing forbidden patriotic songs and to rally for independence. "The young people, without any political party, and without any politicians, just came together ... not only tens of thousands but hundreds of thousands ... to gather and to sing and to give this nation a new spirit," remarks Mart Laar, a Singing Revolution leader featured in the film and the first post-Soviet Prime Minister of Estonia. "This was the idea of the Singing Revolution." James Tusty and Maureen Castle Tusty's "The Singing Revolution" tells the moving story of how the Estonian people peacefully regained their freedom--and helped topple an empire along the way.
Soldiers representing South Africa and New Zealand billeted in London get stuck in during a rugby fixture in Richmond Park.
Padauk: Myanmar Spring takes the viewer to the streets of Myanmar during the heady days following the February 2021 military coup. Through Nant, a young, first-time protester, we meet three human rights activists whose lives have been turned upside down by the coup. As the protests continue, Nant comes to understand the truth of a brutal regime that has continued to wage war against its own people for decades. Against a foreboding backdrop, Nant’s political awakening regarding the plight of others in her ethnically diverse country gives hope for the future. Beautifully augmented by poetry and art, Padauk: Myanmar Spring shows the resilience and determination of the people of Myanmar, and the sacrifices they've made.
Tunisia itself is the subject; we wanted to render the genius of the site. Tunisia is almost the central character of this little film: we see the relation of the city to the sea, the traces that bear witness to its foundation, the remains of Carthage, the symbolism of the recently discovered Medina coin … The splendours of the house interiors and courtyards are associated with a scene of origin, what psychoanalysis calls a primal scene. Entering these houses opens up a world peopled by women: the child’s ‘homecoming’ in the hands of women is staged as an abduction, playing doubly on fascination and terror. These places were mine, from my childhood, they can be found almost intact – it’s the return of the exile visiting the kingdom. I let Ruiz discover all this, and immediately that led him to echoes and resonances ranging from Spain to Chile.
Year 1969 - in Turkey. 60s youth were living the most excited days. There was a great effort to make a bridge in Istanbul, on the Bosphorus. Meanwhile, on the eastern border of Turkey, in a Kurdish city between the borders of Iran and Iraq that is left to its destiny, in Hakkari, Zap River was taking lives since there were no passage on it.
¡Las Sandinistas! uncovers the disappearing stories of women who shattered barriers to lead combat and social reform during Nicaragua’s 1979 Sandinista Revolution, and who continue to lead Nicaragua’s current struggle for democracy and equality.
