A playful and original vision of the indelible mark left by Emiliano Zapata.
Antonia Díaz
as Self (as Doña Toña)
Rafael Sebastián Guillén Vicente
as Self (as Subcomandante Marcos)
Emeterio Pantaleon
as Self (as Colonel Don Emeterio)
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
A documentary about actress Edith Massey in which she talks about her life and her career in film.
Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.
Premiering exclusively on Amazon Live and Amazon Music, this short film features an intimate conversation between Paul McCartney and Paul Mescal, exploring the memories, relationships, events and stories that inform McCartney’s forthcoming album of the same name.
sononda is the first part of the short film series future past perfect and was originally recorded in 2006. the series whose single fragments are supposed to be parts of a larger scale film project is designed as a row of conceptually independent movies that document nicolai's focus of interest of the respective year of origin and also builds up on the results of the movie(s) before. despite sononda's visual quality seems artificial at times, it was shot in a natural environment. the focus is directed on the sculptural quality of light. the correspondence of both music - with its low frequency modulations and merging soundscapes - and light play on the curved surfaces of the sculptural stone formations create an ever-changing atmosphere of concrete and abstract appearances.
My great-grandmother, Frieda Riesenfeld, recounts moving into her first apartment in the United States after escaping from Germany in 1938.
A journey through the day of a worker in the form of memories and sensations, through which we will reflect on the slow passage of a life dedicated to work.
Everything is political, even something as insignificant as a bathroom. The struggle to occupy spaces represents the struggle to reaffirm one's very existence. This is why we explore why the creation of gender-neutral bathrooms in the Faculty of Philosophy and Letters is so important in a country that leads in hate crimes against the LGBTQ+ community.
Twenty-one-year-old Julia had to leave her daughters under the care of a children's shelter house. Five years later, Julia keeps fighting to rebuild her life and get reunited with her daughters.
Pet Shop works as an experiment on regret and suffering. A juxtaposition of a dog in a pet shop and a window. Narrated from the perspective of God, or the Devil, the text recounts discussions a person has had with Him. The person accuses Him of destroying his life. This could be for a sin, a murder, or for falling in love with a person of the same sex.
A teenager finds her identity through the intimacy of the photo booth.
The film was shot by the DSE (Democratic Army of Greece) in 1948. The filming took place in Grammos and Vitsi, an area that the DSE had under its control during most of the Civil War (the so-called "Free Greece") and in the adjacent communist countries, Hungary and Czechoslovakia. It was first shown in Hungary and then in the other member countries of the "communist Paradise". The original film, which was considered lost for many years, was located in Hungary a few years ago. The subject of the film is "Child-Rescue" (or "Child-Rescue" as the KKE calls it).
A short documentary from the Japanese Imperial Navy about Japanese Fighters in War.
This 16mm short film undertakes a journey from slavery to ‘Morabeza’, a multi-faceted word that describes Cape Verde’s gentle spirit. Allow yourself be guided to discover the diversity and beauty of this South African country.