RAMSGATE

Queer Bodies

A self-reflexive, multi-portrait film following the filmmaker, Emma Barda, and other queer artists exploring queerness and gender identity through their art. The film takes a deep dive on how queer / gender non-conforming people interpret and represent body and gender identity through various facets of art and identity, with the aim to showcase the unique and wonderful world of queerness.

La notte dei Cucibocca

Until Further Notice

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.

Nuit

A blind and socially isolated woman wants to be seen.

Our Big Ocean

A short documentary that talks about how ocean conservation managers from around the world come together to collaborate on ways to save our oceans. It also discusses the importance of including indigenous and traditional knowledge to start solving challenges. We produced this in collaboration with Big Ocean Managers and Conservation International.

The Mirrored Message

This experimental film follows the work of two scientists who test a new device that uses specialized circuitry to transfer data between computer networks and living plants. Neither science nor fiction, this documentary highlights the human labor of scientific procedures, attentive to the future they are producing – in which humans will disappear.

Portuguese Sea

"Oh salty sea, how much of your salt / Are tears of Portugal! / To get across you, how many mothers cried, / How many sons prayed in vain! // How many brides were never to marry / In order to make you ours, oh sea! / Was it worth it? Everything is worthy / If the soul is not small." (Fernando Pessoa)

The Act of Seeing with One's Own Eyes

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

Sandow

Strong-man Eugene Sandow flexes his muscles and strikes a few poses in front of a black background. This was a short film shot by William K.L. Dickson for the American Mutoscope Company and is not the 1894 Edison film shot at the Black Maria.

City of The Cunning

Through the story of three cyclists, we will learn about the struggle and vicissitudes of getting around by bicycle in one of the largest, most polluted and overpopulated cities in the world.

Pepedrilo

Pepedrilo and his peculiar connection with nature are embodied by the care and protection of a crocodile sanctuary, whose stability is put in danger day by day by the threat of men.

Sioux Ghost Dance

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

They Never Leave the Sea

Listen to the sound of the waves, the turtles, all these lamps; many personal emotions and sensations.

Kpaima

Norma Kpaima's contribution to indigenous education is unique and urgent for neglected communities.

Ñuu Kanda (Move)

We are Nivi Savi, rain people, Mixtecos; a people that disperses like the clouds and every year returns to earth to continue to flourish the memory of their ancestors.

Oh Butterfly, What Do You Dream of When You Flap Your Wings?

The work of taxonomists hides more secrets than can be perceived.