Svonni vs Skatteverket

Tunniit: Retracing the Lines of Inuit Tattoos

Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female artform. Central to the film is Arnaquq-Baril’s personal debate over whether or not to get tattood herself. With candour and humour, she welcomes us into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman’s journey towards self-empowerment and cultural understanding.

Spears from All Sides

Until the 1950s, the Waorani were able to successfully defended their area of settlement – today’s Yasuni National Park in the Ecuadorian Amazon – with the aid of spears. Then Christian missionaries entered the thick rain forest and paved the way for an oil company. Nowadays many of the tribes are estranged as some want to benefit from the short-term money the company is offering while others fight to preserve their land, culture and independence under all circumstances.

Two villages, one single walk

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

Xondaros - Guarani Resistance

The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the preservation of nature. They suffer from the proximity to the city, which brings lack of resources, pollution of rivers and springs, racism, police violence, fires, lack of infrastructure and sanitation, among others. Unable to live like their ancestors, their millenary culture is lost as it merges with the urban culture.

Katurãma: uma história de luta e resistência

The Fire in Our Hearts

On British Columbia’s remote Southside, wildfire is not an abstract threat—it is a lived reality. As flames close in on a frontier community, the Cheslatta Carrier Nation and their neighbours face an impossible choice: evacuate, or stay to protect the land that defines them. With limited access and little outside support, the community responds collectively, drawing on Indigenous leadership, cooperation, and generations of knowledge to confront the fire in near isolation. In the aftermath, the burn reveals a long-erased Cheslatta village site, resurfacing a suppressed history just as their response gains wider attention as a model for resilience. But when the flames recede, new constraints emerge—raising questions about the limits of community-led action, and the fragile balance between survival, autonomy, and authority.

BETWEEN

Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.

Tokyo Ainu

TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.

LIHKKU!

An essay film about how it may feel to grow up as a young Sami in Sweden, with poetry written by Ella-Maria Nutti and graphics by Irma Bergdahl. The partying of a typical teenager together with the labels put on you that wont go away, the questions which are thrown on you as knives in the back. A tribute to our ancestors who fought for our rights and a declaration of love to the young Samis who continues to fight

Cholitas

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.

These Are My People...

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

Deep Roots

Lonnie Kauk’s personal journey to honor his indigenous Yosemite roots, and to connect with his legendary father by repeating his iconic climbs.

Time for Common Rudd

Also known as Reindeer Time and Inheritance, this 9-minute short by Arne Sucksdorff documents the Sámi people’s autumn migration as they guide their reindeer herds back to the forest lands. Blending ethnographic observation with lyrical nature imagery, the film follows the reindeer through mountain landscapes, calving, herding, and branding, underscoring the deep interdependence of humans, animals, and the northern environment.

The Pearl Button

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

Monica in the South Seas

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

Still We Rise

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

This Was the Time

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

Povo da Floresta

Northlore

Weaving animation and live action, Northlore delves into the transformational stories of people living in Canada’s North and their deep connection to the land and its wildlife.