During the Malvinas war, more than a thousand Argentine soldiers were wounded. Many were cared for by 14 nurses in a mobile hospital located in Comodoro Rivadavia. After 37 years of silence, three of them return to the place to tell their stories.
Alicia Reynoso
as
Stella Morales
Ana Masitto
Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.
It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.
The documentary tells the first-person story of what seven veterans experienced during the Malvinas War through their childhood and adolescence, sharing life in a town in the interior of Córdoba. The military service, the landing, the waiting, the cold, the hunger, the fear, the battles, and the return to their village. "I want them to know about my war," says Jorge, taking off his beret as a sign of respect for those who lost their lives in the Malvinas. Today, more than 40 years after the war, they recount what those 74 days were like that marked their lives forever.
«Grozny Blues» follows a few people around Grozny, the capital of war-torn Chechnya where daily life is defined by political repression, constricting customs, forced Islamification and the failure to come to terms with recent history. The film revolves around four women who have been fighting for human rights under worsening conditions for many years but get more and more disillusioned with the situation in Putin’s Russia. The building where they work is also home to a Blues Club that is frequented by a group of young people. Having only vague memories of the Chechen wars in the 90s, they try to make sense of the strange things that are happening in their country. In linking the personal and intimate to the political, Nicola Bellucci shows in a dramatic and yet very poetic way what it means to live in a divided society that navigates a no-man’s land between war and peace, repression and freedom, archaic traditions and modern life.
During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds.
Victor, a retired Argentine lieutenant from the Falklands War, is hospitalized as a result of catatonia. Through a dreamlike and dark journey, he goes into the darkness of his mind, where different ghosts from his past won't leave until they are satisfied.
Aurora and Bernardo are experiencing moments of happiness, but their joy is interrupted by the onset of war.
A young woman seeks to expand her limited horizons, set against a backdrop of wartime London.
The time is the summer of 1982, and the Falklands war is at hand when the young "Argie" follows a British woman home and is stopped from raping her only because she starts to speak to him in Spanish, soon they enter into an ambivalent relationship, undecided as to whether they love or hate each other, or both. They end up on the streets when she is evicted and life becomes even less stable.
The film tells about members of Finnish women's Lotta Service during the Second World War through the eyes of three young women.
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
Based on the lives of four boys, all of different social classes and psychological makeup, this film tries to reflect through them the political history of Argentina during the years leading up to the Malvinas War.
David Hammons’ singular career covers life in LA during a turbulent 1960s through to his prominence within the global art world today. Key to his work has been an analysis of African American society and its representation within US life. Featuring interviews with eminent artists, curators and critics; a wealth of archival footage; an evocative soundscape by Ramachandra Borcar that includes Marshall Allen, Idris Ackamoor and Shabaka Hutchings; and a reading by The Last Poets member and hip-hop forefather Umar Bin Hassan, The Melt Goes on Forever is a revelatory journey through six decades of art and culture.
In Venezuela, amidst a backdrop of poverty, murder, and corruption, the El Sistema youth orchestra offers children hope and the opportunity to pursue a life of art in spite of the harshness of the society around them. Yet the country’s spiraling collapse and political repression threatens the musicians’ dreams of a better life.
Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.
Short documentary on the use of the V-1 Flying Bomb during the German bombings of London.