Daniël Arends: Geen Excuses

Hans Liberg: De Negende

Hans Liberg: Ick, Hans Liberg

Lenette van Dongen: Roedel

Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. Armed with the complete DVD box of dogwhisperer Cesar Milan and all Martin Gaus-books, Van Dongen starts raising a young puppy. What this world needs is a calm, confident leader. It's only a matter of time before a well-trained rescuer walks by her side. Until one day the dog trainer gets sick and everything turns out differently….

Lenette van Dongen: Nikè

Dolf Jansen: Topvorm

Micha Wertheim: Voor Je Het Weet

Stage registration of the fifth comedy special by the Dutch comedian Micha Wertheim. At the start of the performance, the performance appears to be unfinished: Micha Wertheim is still writing and the comedian has a writer's block.

Plien en Bianca: Ngorongoro

Plien en Bianca: Biks!

Registration of the second theatre program by the Dutch comedy duo Plien (van Bennekom) & Bianca Krijgsman.

Plien en Bianca: Wie dan allemaal?

Two lonely brothers and two failed artists.

Yora Rienstra: Eerlijk Gezegd

Dutch comedian Yora Rienstra talks and sings about her life. After reaching the age of 37, Yora Rienstra starts doubting about her purpose. She decides to take a sabbatical to figure things out. Inspired by the book by the Dalai Lama that she got for her birthday, she sets herself the goal of doing things she fears.

Urbanus: Het een oog in, het andere oor uit

Urbanus: Hebben jullie mijn filmpjes al gezien

Theo Maassen: Tegen beter weten in

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Hans Teeuwen: Industry of Love

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Theo Maassen: Ruwe Pit

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Maarten van Roozendaal: Barmhart

This theatre performance is built around the 'seven corporal works of mercy'. Comedian Maarten van Roozendaal tells and sings about life, death, love, spring and bears. He is accompanied by Egon Kracht on double bass and Marcel de Groot on guitar.

Maarten van Roozendaal: Het Wilde Westen

In this theatre show Maarten van Roozendaal, double bassist Egon Kracht and guitarist Marcel de Groot "celebrate" the "achievements" of Western civilization. However, the ambitious pursuit of wealth, happiness and freedom also appears to have a downside.

Lebbis: W2P

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Ruud Smulders: Bruud

Dutch comedian Ruud Smulders offers the spectators a peek into his thoughts.

Hans Teeuwen: Dat dan weer wel

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.