In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.
Ji-young Yoo
as Old Mora
Crystal Park
as New Mora
Panteha Abareshi
as Charlie
Nestor is a boy immersed in melancholy. In an attempt to forget an old love, he begins a relationship with Isabel, an android.
The story of a struggling actor who meets Mian Tariq Ali, a relic of the once thriving film industry. The struggling actor is there to convince Ali to divorce his wife. A contest of male dominance between the two men ensues, starting quite reasonably, playfully even, but eventually turning angry and violent.
Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.
A young couple's last hours together before a trip that will separate them.
Mônica and Camila walks at night. A strange sound surprises them. An object falls from the sky. They receive a message. Something evokes them.
A masseuse's journey to find the human touch.
A rebellious young woman with cerebral palsy leaves India to study in New York. On her journey of self-discovery, she unexpectedly falls in love.
Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field
John Woo's experimental short film, made during his time in college. The line between genuine love and violent obsession is blurred when a man falls for a girl and proceeds to tie her up with rope to him, making her follow him around and bend to his whims until tragedy ultimately befalls them both.
Wandered away from his asylum, an amnesiac World War I veteran falls in love with a music hall star but his amnesia makes it difficult to last.
When, in a very strict Catholic school, a teacher enters a bathroom and surprises two students engaged in forbidden sexual practices, some of their classmates do not know whether to remain silent or rat out their own friends when questioned by school authorities.
Niren Lahiri directs this social-minded melodrama about the complicated relationship between a traditional Hindu family headed by Madhab Thakur (Choudhury) and their progressive next-door neighbor Mukherjee (Chhabi Biswas). Thakur's daughter, Malati (Sheila Haldar), and Mukherjee's son, Robi (Robin Majumdar), run a school teaching traditional Hindu values which they hope will become a countrywide franchise. Their planned nuptials are impeded when Malati's older sister is forced to marry a Brahmin against her will, resulting in a full-scale revolt in both households. Eventually, the rift is settled, the hero and heroine marry, and a sort of Hindu-laden modernity reigns in the two families.
Chandran and Balan are showered love and affection by their father and stepmother. But Chandran does not realise the value of this and grows into a bad boy.
Jo Dal-hwan plays Lee Ho-yeon, a salesman from a pharmaceutical company who is very people-shy.
A sensationalist television show unravels the sordid story of Luciano Fernández and analyzes the possible motives that led him to murder a child. (Inspired by a real event that occurred in the forest of Verrières, Paris, on May 27th, 1964.)
Two different social classes collide when Cary Scott, a wealthy upper-class widow, falls in love with her much younger and down-to-earth gardener, prompting disapproval and criticism from her children and country club friends.
Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
The boredom of a young middle-class woman at home a Sunday afternoon. Not to be confused with Carlos Saura's short of the same name produced in 1957.
