Laura Martins
as Laura
Lucas Carvalho
as Luíz
Dylan Cavalcante
as Irmão de Laura
Ana Maria Monteiro Cardoso
as Avó de Laura
Jessica Neves
as Skatista #1
Lukas Sitta
as Homem no bar #1
Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.
Jul just got laid off and chose to pursue his old dream. It comes with a price however, as he has to face his daughter’s expectations that she had set for him.
We are all in a hurry to fulfil our dreams and reach our destination ahead of time. Then suddenly we find, that time has outpaced us leaving us behind stranded and clueless about the future. Is there a destination in life? Is there life beyond a destination?
Teenage boy Roy and his ailing mother Elizabeth live an aimless life on the road, shuttling between gas stations, temp jobs and cheap motels. When they end up at a desolate caravan park, fractures begin to appear in Roy's relationship with his mother as he starts to fall head over heels for park manager Maurice.
The short film depicts the life of a boy who is constantly sexually abused by his father. Leonardo Miggiorin brilliantly plays the role of this boy, who belongs to a poor and unstructured family.
Bastian, a young religious guy decides to embrace his sexuality and goes on a hook up with a stranger. Soon, he regrets it and does not know how to cope with it. Once his best friend Peter finds him at home crying, he has to go out with the truth. However, Bastian is more than surprised by Peter's reaction.
A short coming-of-Age film about two boys, first love, and a kite that reunites them 20-years later.
After being accused of sexually assaulting a girl at a party, Andy uses a public twitter confessional to rewrite his story.
L stopped enjoying life as a little girl. She flees abuse at the hands of her adoptive parents and heads for the big city. There, L's life is wrecked by a string of bad relationships, and she takes the fall for a friend who commits murder and ends up in jail.
The couple, who went out at night after the curfew was lifted in Istanbul due to the pandemic, on the journey home, their perceptions are deconstructed, and they slowly move away from the city, time and each other.
A foreign woman in a burqa brings her young son to a Copenhagen police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words. A tense, diamond-hard film about cultural isolation and bureaucratic ignorance.
After discovering his eviction notice, a tricycle driver goes on a desperate hunt for money.
Three loosely connected stories: The relationship between midwife Rosa and therapist Marcel is shaken to the core by a cancer diagnosis. Wandering aimlessly through life, waitress Motte is horrified to discover she’s pregnant – by her best friend Neo, who’s not even sure about his sexual orientation. Finally, cleaning lady Layla refuses to accept that her ex, Navid, has left her for a younger woman. Each situation escalates on one fateful night: A gun is fired, a woman dies, and a child is born. ‘Without you’ – an expression that can be formulated both negatively and positively: ‘I can’t live without you’ also means ‘life is much better with you’. Director Alexandre Powelz maximises this interpretation to its fullest potential. OHNE DICH is a film both about love and its bitter ingredients, and the equally sobering, yet comforting certainty that life goes on.
In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.
The dramatized illustration of the invention of the bow-and-arrow through a romantic triangle foregrounded by the bloody conflicts between the Cave Dwellers and the Shell People.
A young Polish partisan flees from the Warsaw Uprising. Whilst hiding in the yard of a countryside manor, he is chased up a tree by a large wolfhound. With his rifle out of reach, there seems to be no way to escape his predicament.
Alma, petrified, does not know how to react when her son, age 8, wants to dress as a fairy and go to school. She asks advice from her neighbor, and eventually the entire building debates his right to behave cross-gender.
Maja and Janne move to the barren and remote island of Stormskerry, where survival is a daily struggle. Growing up in a world of old values, Maja becomes aware of a new era: a woman can be an equal partner instead of a mere bystander. The couple have children, and life is good until trouble sets in: war arrives on the island, Janne is forced to flee from the English troops, and Maja and the children are imprisoned. The family also faces many financial difficulties and death. Years pass, but Maja remains strong and stays in Stormskerry despite all the hardships and difficulties.
Two homeless people, one blind and the other disabled travel the city streets with a supermarket trolley on an endless journey.
Ana is a woman of thirty-something, goes back to the house where she spent of her childhood during the Argentine dictatorship.