This documentary celebrates the Black cultural renaissance that existed in the Greenwood district of Tulsa, OK, and investigates the 100-year-old race massacre that left an indelible, though hidden stain on American history.
Alfre Woodard
as Mary Parrish (voice)
A film about small Ontario town's struggle to restore a desecrated African-Canadian cemetery and the resulting turmoil over it.
The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.
Sebz traces an intimate and heartbreaking journey through her past and present, exploring the nuances of her identity as a non-binary, black, asexual trans person. Through an introspective narrative, Sebz reflects on the abuse she suffered as a child and the revelation that these experiences were not unique, but also familial. In a space where memory and reality intertwine, Sebz confronts her relationship with her mother, a complex connection torn between rejection and a search for understanding, accentuated by tensions of gender, sexuality and shared trauma. This short queer documentary is an honest and courageous portrait of wounds, family ties and the resilience that defines those who seek to exist beyond social impositions.
The decades-long debate surrounding reparations is fraught, mired in racial tension and the semantics of restorative justice. While the national conversation remains stalled due to legislative inaction, communities across the country examine their histories and take it upon themselves to arrange their own form of reparations. This detailed investigation of restitution presents accounts of everyday people confronting the past and exploring the possibilities of wealth transfer.
African-American gravesites and burial grounds for enslaved persons have been lost or are disappearing throughout the South, through neglect and nature reclaiming the solemn tombstones and markers. Restoration and preservation of these forgotten sites by those with a personal connection or appreciation of their historical significance is on the rise, but much work remains to be done.
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.
The documentary Schwarze Adler (Black Eagles) lets black players of the German national football team tell their personal stories for the first time. What road did they take before they got to where we cheer for them? What hurdles did they have to overcome? What prejudices and racist hostility were they exposed to – and what was it like in the past, what is it like today?
In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.
Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.
The History Channel marks the 20th anniversary of 9/11 with a new groundbreaking documentary about the biggest manhunt in human history. This documentary draws on interviews and stories told in the Museum's special exhibition of the same name, and features interviews with Jan Seidler Ramirez, chief curator and executive vice president of collections, to tell the sweeping tale, linking policy, intelligence, and military decision-making as they converged on a mysterious compound in Abbottabad, Pakistan.
Documentary film exploring the lives of the people at the flashpoint of the LA riots, 25 years after the uprising made national headlines and highlighted the racial divide in America.
An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.
The documentary tells the story of Júlio César, a young Afro-Brazilian who was executed by the Police in the 1980s in Porto Alegre. The crime became notorious when the press published photos of Julius being put alive in the police car and arriving 37 minutes later shot and dead at the hospital.
In contrast to the lens that focuses exclusively on the racist traditions that are rooted in America’s social history, the moral counterweight of close, loving, friendship and collaboration, which have always been present in our history, represents “the other tradition.” This “other tradition” is a source of inspiration and presents models of behavior that are instructional and include unknown and uncelebrated legacies to be absorbed and emulated across generations of present day Americans. The documentary discusses the “better in us” a needed collective perspective in the current climate of national disunity across racial, religious, and political lines. This has significant implications for addressing public issues from immigration to health care and the myriad of governmental, educational, business, and religious challenges that we must successfully meet to weave the fabric of unity which is indispensable to survival as a nation.
Doing really well on your school assessment tests, but still having the school recommend that you go to preparatory vocational school. Going to a club with friends and having the bouncer keep you out. Having to endure jokes from classmates. These are examples of the sort of casual racism that the children of director Karin Junger and their friends have to face. In Ik alleen in de klas, director Karin Junger, white mother of three darker-skinned children, stands with her family to confront the racism they experience in their daily lives. Twelve adolescents meet at a mansion in France. The group consists of Junger’s children and their friends. All of them come from ethnic minority backgrounds and share a feeling of being excluded from Dutch society. Re-enactment is used to explore painful situations again. In this simple but effective documentary, we can see the impact of subtle and less subtle forms of racism on the lives of young Dutch people.
In April 1999, three Lakeside brothers murdered a Mexican migrant worker by beating him to death. Producer Lee Harvey spent several months talking with Lakesiders--teachers, social workers, longtime residents and teens who are avowed racists--to unearth the reasons why kids would commit this gruesome crime and why it happened in the peaceful, semi- rural town of Lakeside in eastern San Diego county.
