The main character is a young girl who sees the world around her as cold, depraved and ugly. She can’t and won’t fit in. One day, a strange cloud appears over her apartment, triggering a supernatural event.
A mysterious cult performs an ancient ceremony, inviting an otherworldly power into their earthly realm.
Aline and her mother Chanda live together in a French suburb. Aline discovers that a parent-student reunion is coming up.
The bourgeoisie is having a celebration in a round room where eating, sipping, and dancing is followed by dancing, sipping and eating. This could go round and round forever.
The theatrical stage takes place in a foreign space and reveals a feast of different forms of memories.
During the Annecy festival, while the young festival goers flock to the screenings, a producer relaxes on the lake.
Gretchen unmoulds a jar of jelly in her room while her parents picnic in the garden. The jelly comes to life, the girl begins a frenzied dance with her new friend "Jelly".
The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.
In a town where the adults live on ground level and children refuse to come down from the treetops, a series of interviews sets out to discover - what is it exactly that the generations misunderstand about each other? This animated documentary highlights the absurdity of childhood, adult-ness, the internet, and generational gaps.
A bus full of people on a trip is stopped by a policeman who isn’t satisfied with the bribe he is offered for granting the bus passage. To continue on their journey, the passengers will have to join forces.
The name of the film is taken from the book “Liquid Love” by the sociologist Zygmunt Bauman. The film investigates the tension and the pendulum swing between freedom and belonging in the context of relationships. An attempt to express two opposing worlds trying to co-exist, where one will always overcome the other in a constant, endless tension.
When a tabloid television station reveals a superhero film star is gay, the young actor is confronted not only with the reaction of the fans but also with his own concerns. The macho nature of his film alter ego complicates the entire situation even more and the struggle with homophobia in a heteronormative entertainment industry is not easy at all.
Meticulous and mesmerising paint-on-glass animation is characteristic for this atmospheric film by the Polish director, who takes us on a bus ride one Monday afternoon. The melancholic ride through a rainy city reminds the main protagonist what it would be like to escape the everyday routine of jammed streets.
Skating is cool. Super 8 films too. Fuck-shit! That was dope! // "Super (8) Skate" is a Stop-Motion short, shot on Super 8 film to express the love of skating and filmmaking.
After seeing a suggestive fossil of two dinosaurs "getting it on," an anxious father tells his curious son a series of little white lies to avoid having "The Talk."
According to the justice of the Wild West, thieves must be punished. But when the sheriff's horse breaks, and there is no-one to oversee justice, it's hard to forecast if justice stays justice.
The story follows Oskar and his two brothers, Jonathan and Lukas, during the 90s, in the outskirts of the Swedish city of Gothenburg. Their father is the local priest of a quiet church and he brings his kids there every Sunday. On this particular Sunday, Oskar doesn’t like what his father says about faith. He and his brothers sneak out to play games in the forest instead. Oskar wants to play a game that has nothing to do with religion, where he has powers of his own. They launch into an anime schoolgirl fantasy frenzy of killing imaginary monsters with laser beams when some older kids find them near the edge of a tall cliff. They bully the brothers, forcing them to confront how weak their faith actually is. Oskar is conflicted: should he stick up for his faith or admit it’s not real?