This documentary / fund raiser film was produced in 1984 by the Hong Kong Salvation Army to raise sponsorship for their educational activities in the infamous Kowloon Walled City. The project was filmed in 16mm film.
Peter Hawkins
as Narrator
“Umbrellas Move” is a long feature documentary capturing scenes from Hong Kong’s city-wide protest, the occupy movement in 2014. This documentary witnessed a critical page of Hong Kong after transfer of sovereignty over Hong Kong from Britain to China. Around 1200 thousand people have involved in this longest occupation in the history of Hong Kong in 2014. 79 days of occupation, Hong Kong people are fighting for their rights to vote under a fair election in order to be against the political controls from China.
Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.
The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.
As the 'one country two systems' policy in Hong Kong has slowly eroded, resentment among the territory's citizens has steadily grown. What began as a series of spontaneous protests against an extradition law in March 2019 has now escalated in to a full-blown popular uprising that shows no signs of abating. ABC Four Corners reports from the frontline of the action, capturing extraordinary footage of the growing tension and violence.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.
Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
In Hong Kong, echoes of resistance and turmoil are sensitively captured on 16mm in this poetic rumination of public spaces and everyday life in a metropolis in upheaval.
An asylum seeker from Hong Kong builds a new life for himself in Glasgow, using his passion for street food to maintain his cultural identity.
Choi Yuen Village faced demolition by the express rail project. In 2009, villagers protested and petitioned, sparking the anti-express rail movement. Despite their efforts, the railway plan was approved in early 2010. Forced to choose between leaving or rebuilding, they opted for the government’s land rehabilitation scheme to create a new village together. With volunteers, they searched for land in Pat Heung and fought to prove their status as farmers. Many outsiders misunderstood, believing the villagers received generous compensation and government help. Yet, it was the villagers’ shared determination and love for their land and way of life that carried them through, even as the once-barren longan trees bloomed again in 2010.
After the anti-express rail protests, Choi Yuen Village’s struggle did not end with the railway project approval. Villagers shifted from fighting demolition to painstakingly relocating and rebuilding their community. In 2011, they planned the new village together—including house design, sewage, and land use—while facing government pressure to move out by November. Road access issues caused additional worries. As demolition began, villagers stood together to protect their homes and demanded time to build before moving. By May 2011, villagers left their longtime homes for makeshift housing on newly bought farmland, continuing their collective effort. Their unity in overcoming countless challenges set an example for other rural communities and shows that real resistance is a long journey requiring ongoing attention.
A single shot, taken during a confrontation between police and demonstrators in Hong Kong's Sham Shui Po neighbourhood, transforms a street confrontation into something transcendently beautiful. The voice of Louis Armstrong adds a level of almost unbearable irony.
The motions and gestures of military riot police, slowed down while performed by dancers, are surprisingly beautiful. Menace and violence estranged from context and time looks eerily strange, and all too familiar. In this gallery piece, Isaac Chong Wai somehow anticipates, a year early, key images of the Hong Kong protests.
Grandpa Chan, 73 and Grandpa Wong, 82, run into the mist of teargas and try to protect the young protesters from any harm. With all the dangers and hardships they have been through, to them retreat is never an option.
The camera floats quietly to capture the beauty that emerges from the mundane. Accompanied by Ryuichi Sakamoto's composition, Arseny Tarkovsky's poem celebrates life.
Tells the story of how Edward Snowden managed to evade capture by the US. For the first time Snowden tells the story of how he managed to escape so that not to have to spend the rest of his life in an American prison.
