Second chapter of a trilogy of short films about the emotions arising from the five stages of grief. Here, "Bargaining."
Maurice Aufair
as Le grand-père
Dan Queroub
as L'enfant
Marie-Claire Dewarrat
as La grand-mère
Ylana Queroub
as La mère
When Lord Murashige rises up against the tyrannical Oda, he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court, plunging the fortress into fear and suspicion. With Oda's army closing in and a traitor hiding among his ranks, Murashige is forced into an uneasy alliance with Kanbei, a brilliant and dangerous strategist held prisoner in the dungeon, as he must outwit his enemies and uncover the truth before time runs out.
A dishonest businessman asks rich layabout Craig Blake to help him buy a gym, which will be demolished for a development project in Alabama. But after spending time with weightlifter Joe Santo and gym worker Mary Tate Farnsworth, Craig wants out of the deal. The property negotiations turn ugly, causing a brawl at the gym and a spectacle at a big bodybuilding meet, as Craig learns that it's not easy to turn your back on fair-weather friends.
In this 1993 Hong Kong film, a boathand (Aaron Kwok) falls in love with a supermodel (Rosamund Kwan) he sees on a billboard.
Peter's view of the world changes when he receives life altering news. Feeling his humanity like never before, Peter sets out on a journey of self discovery and acceptance.
Lifelong friends Edward, Michael and Ashley are involved in a love triangle but not all of them are aware of it. Embarking on a road trip, they start the process of untangling their feelings for one another.
Amanda creates a reality where her child is not a product of rape, but is in fact, immaculately conceived.
When sixth-grader boy Qiu is bullied in school for having gay dads, his stepfather Howard, a flamboyant Jazz trumpet player, must confront his own nightmares of childhood bulling before he can provide his son a feeling of security.
Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. Mama can only communicate with her beloved, absent son through the video screen.
Michelle De Winter lives the good life, wining and dining with only the richest men who are fortunate to cross her path. Her daughter Yvette, whom Michelle insists on introducing as her 'niece', is a fashion model. She is saving herself for the right man, despite the fact that she is part of the free love generation and lives with a group of promiscuous creative types. While Michelle is searching for a new millionaire playboy, Yvette falls for the handsome Peter Von Hallstein. She asks the fatherly Dr. Fink to help her come up with a scheme to get Peter to propose to he
Peter Weller stars as Baton Morris, a drifter suspected of murder, in this crime drama. A widow (Kathy Baker) living in West Virginia takes in the man (Weller) whom she believes murdered her husband. As she spends more time with him, she begins to fall for him, but continues to question whether or not she can trust him. Directed by David Saperstein and based on a novel by Robert Houston, A Killing Affair features twists and turns up until the end.
What do Bingo and Sponge Bob have in common? Dusan, an eight year old boy trapped in limbo between two polar opposite worlds, spends his time amongst gambling adults in a casino while his imagination is captivated by children's television series. When does one grow up? Let's play and find out!
A depressed filmmaker has an existential crisis.
In this Depression-era tale, Calef McKinney, traveling from Michigan to California, stops in Spooner, Missouri, where Lute hires him for odd jobs. Calef gets involved with Lute's niece, Hannah. But she's married to Sidney, a wife-beating drunk who hopes to inherit his uncle-in-law's money. Sidney and an eccentric preacher plot against Calef, who finds it difficult to conceal his mysterious past and his growing affection for Sidney's wife.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
Agustina can't see. María, the girl who looks after her, will open her eyes.