Spanish jurist and republican thinker Antonio García-Trevijano (1927-2018) expounds his political thought and reflects on the recent political history of Spain.
Antonio García-Trevijano
as Self
Ignacio Cortés González
as Self (voice)
Carlos Serrano Azcona
The story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
The year 2024 marks the 50th anniversary of Paris Fashion Week. To mark the occasion, Loïc Prigent looks back on half a century of fashion design and evolution in Paris. The 1970s, with the arrival of a new generation such as Kenzo and Sonia Rykiel, changed the game by simplifying and democratizing collections. The 1980s saw the emergence of personalities with a great appetite for spectacle: Jean Paul Gaultier, Christian Lacroix, Thierry Mugler, and Karl Lagerfeld.
51 films to date, a unique body of work whose common thread is the search for love: this is the cinema of Claude Lelouch. As a Jewish child hunted during the war, the filmmaker offers his very personal vision of betrayal, scoundrels, good people, travel, parent-child relationships, and the ghosts of his deceased friends whom he will always love.
The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
He was known as Trinita, but his name was Mario Girotti. The spaghetti western genre was born with the duo formed by the Italian-German actor and Carlo Pedersoli, alias Bud Spencer. Haunted by the bombing of Dresden, which he experienced at the age of 4, he refused to glorify violence or take himself seriously. An encounter with Terence Hill, who overcame his shyness and torment through cinema.
In the original concept of the film as a computer game, the author presents a personal reportage from Budapest, where she spent a year as a student. The viewer, who takes on the role of a participant in the game, passes through several levels that introduce him to everyday moments touching on sensitive points of contemporary Hungarian society: he sees the capital through the eyes of a tourist, but mostly he is forced to reflect from the subjective perspective of Hungarian citizens on freedom of art, the right to education, the issue of medical care and the complex and controversial political situation in which the name of Hungarian Prime Minister Viktor Orbán is repeatedly invoked.
Four years later, Hong Kong’s 2014 democratic Umbrella Movement has been nominated for a Nobel Peace Prize, yet political backlash against protesters has intensified. Repeatedly the target of censorship*, Raise the Umbrellas traces the lineage of the massive Hong Kong protest to the global Occupy movement, 1989 Tiananmen, and its democratic struggles since British colonial days. Highlights range from the Umbrella Movement’s eco-awareness and its burgeoning aspiration for independence, to its empowerment of women -- “umbrella mothers” -- and the rainbow-bridging activism of LGBTQ iconic artists. Incisive and intimate, driven by stirring on-site footage in a major Asian metropolis riven by protest, Umbrellas includes anti-Occupy views that lay bare the sheer political risk for post-colonial Hong Kong’s universal-suffragist striving to define its autonomy within China.
An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.
The late Fujio Akatsuka is revered by many Japanese artists and scholars for his developments to early comedy manga, but his contributions aren't just limited to the world of print media. Featuring commentary from family, friends, colleagues, and celebrity fans, Fujio Akatsuka's story is told with archival footage and animation, showcasing the life of the man who went beyond manga.
We Are the Champions isn’t just a Queen track, it’s the sound of victory itself. This documentary traces how Freddie Mercury’s vision of a communal anthem leapt from News of the World into stadiums across the globe, becoming the ultimate soundtrack to triumph. With Brian May and Roger Taylor reflecting on its creation, and with decades of archive footage showing fans, athletes, and nations singing as one, the film makes a case for why this towering arena ballad still rules the winners’ podium.
This is a documentary about an honest search for the truth about the Federal Reserve Bank and the legality of the Internal Revenue System. Through extensive interviews with recognised experts and authority, the director shows an astonishing revelation of how the Federal Government and the Bankers have fooled the American public by taking thier wages and putting it in the pockets of the super-rich.
Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.
This documentary, filmed clandestinely, is based on several interviews with the executioners who worked in Spain during the early 1970s, as well as families of people executed by them.
