In the early 1970s, a group of young volunteers, the Free Youth Clinic of Winnipeg, operated a "crisis bus" to rescue young people experiencing bad drug trips, usually from LSD.
A basketball team born out of an egg, in a hockey-crazed city, playing in a baseball stadium, fights for survival and ultimately conquers a nation and the league. This documentary offers an in-depth look at how a fledgling franchise transformed into a cultural phenomenon, uniting communities and reshaping Canada's identity.
Documenting the shared trajectory between Canada’s rise as a global basketball powerhouse and the circumstances that helped shape the country’s multicultural identity.
By the age of 16, Kenneth Lantz was a full-blown drug addict. At 40, he quit and became one of the founders of Basta—Sweden’s first work cooperative for people struggling with drug addiction. Kenta was in charge of the rehabilitation program itself, running it with passionate dedication. Then, disaster struck. Nearing the age of 50, he found himself injecting drugs into his own thigh once again. But then, a text message arrived from his daughter—a message that struck him to the core—and Kenta decided to start living again.
Two thousand Canadians suffered the longest incarceration anywhere in the Second World War, a bitter four-year period inside Japanese POW camps in Hong Kong and Japan.
An experimental documentary about the spectacle of substance abuse on social media. More than 45 hours of footage, hundreds of pages of blog posts and interviews were distilled and remixed using glitch and cut-up techniques to insure anonymity, transcend the shock factor and unfold this complex, singular and stratified use of social media.
From challah to immigration to the wandering Jew, Ma Nishma Manitoba is a mid-length documentary that explores Manitoban Jewish stories of identity and history. Filmmakers Johanna and Sara put their own experiences in local context by chatting with several Jewish Manitobans, including a rabbi, politician, artist, Israeli immigrant, and others. Archival materials, illustrations, and stop animations connect history with present-day opinions and stories, as Sara and Johanna explore what being Jewish in Manitoba means to them and others.
Alcohol: No substance in the world seems so familiar to us and is so incredibly diverse in its effect. Alcohol is available everywhere and this particular molecule has the power to affect all 200 billion neurons of our human brain in completely different ways. But hardly anyone calls alcohol a drug despite its psychoactive and cell-destroying effect. Why do we tolerate the death of three million people every year? Have we turned a blind eye to the dangers and risks for thousands of years? What role does the powerful alcohol industry play with an annual turnover of 1.2 trillion euros in this on-going concealment? The author, who himself enjoys having a drink, looks into the question why we drink at all, what alcohol does to us and to what extent the alcohol industry influences society and politics.
1967 Navy training film MN-10507-A. Navy physician talks about the dangers of LSD or "Russian roulette in a sugar cube." National Archives Identifier: 6379 "How LSD was discovered, the extreme dangers of using it and how it affects the brain and body."
Initially embarking on an unplanned personal filmmaking project, Ilias Boukhemoucha finds himself drawn to the overlooked corners and marginalized communities within Canadian cities.
Shows the colonization process in the nature reserves of La Serranía de la Macarena and Bajo Caguán in Caquetá. The settlers and a FARC leader describe the causes of the burning of the forests and the role of the guerrillas in areas where there is no state presence.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
Two filmmakers journey to Arizona's Sonoran Desert to find bufo alvarus, a psychedelic toad. TOAD TO NOWHERE is a documentary about healing, hallucinogens, and looking within to explore the unknown.
Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.
This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.
A Cristian educational film that tells the story of a former drug addict, Mark Lindley, and his recovery through finding God.
Every winter for decades, the Northwest Territories, in the Canadian Far North, changes its face. While the landscape is covered with snow and lakes of a thick layer of ice, blocking land transport, ice roads are converted to frozen expanses as far as the eye can see.
Anishinaabe author Drew Hayden Taylor investigates how — and why — Indigenous identity, culture and art are being appropriated by those who are not First Nations.