Come On Children

The End of Summer

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Dont Look Back

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Bodysong

Documentary footage from various sources, set to music. Showing the whole of human life, from birth to death and beyond.

Wilding

A young couple battle entrenched tradition and hostile forces to bet on nature for the future of their failing, four-hundred-year-old estate. Ripping down the fences, they set the land back to the wild and entrust its recovery to a motley mix of animals both tame and wild, beginning a grand experiment.

The Times That Are

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

Permission to Exist

In just sixty years, South Korea went from being one of the poorest countries on the Asian continent to having the 12th largest economy in the entire world. Every year, it is measured that Korean students have some of the highest test scores and a higher rate of acceptance into Ivy League schools compared to all other nations. But on the flip side, South Korea also has one of the highest suicide rates in the developed world, the highest gender pay gap of all developed countries, and the highest plastic surgery rate per capita. Always expected to receive top scores and constantly bombarded by media and messages that seem to demand nothing short of visual “perfection,” how do these individuals come to accept and learn to love themselves as they are?

The War Room

A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.

Prime Farmland

This documentary film follows farmers and activists fighting together to stop the Indiana Enterprise Center, a mega-sized industrial park planned west of South Bend, Indiana

Cow

A close-up portrait of the daily lives of a pair of cows: told by way of some narrative-free, intimate POV photography, with plenty of close shot images, we follow the daily routine of these animals as they live what can only be described as mundane, boring lives - all with an ultimate purpose within the human food chain.

Symbiopsychotaxiplasm: Take One

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Gunda

A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.

L'Odyssée des enfants d'ULIS

A Life on the Farm

A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.

Ceres

Ceres is a poetic yet realistic documentary that follows four children as they experience the natural cycle of life on a farm. Each child lives on a remote farm in the southwest of the Netherlands and is learning the profession of their ancestors from a young age. They each dream that one day they will take over the farms of their father or grandfather.

Rara Avis

On a sailboat in the middle of the Ocean, five teenagers in rehabilitation are travelling with adults of different ages and backgrounds. Off unknown coastlines, the boat’s space becomes a huis-clos in which everyone faces their own difficulties, the challenge of living together and also the manoeuvres of sailing, the Ocean and its turmoil—until the arrival on land.

The Biggest Little Farm

The successes and failures of a couple determined to live in harmony with nature on a farm outside of Los Angeles are lovingly chronicled by filmmaking farmer John Chester, in this inspiring documentary.

Hide and Seek

Mixes documentary interviews of memories of lesbian adolescence with the story of the 12-year-old girl Lou discovering her sexuality in 1960s America.

Wow

In this French Canadian film, the lives of teenagers are examined in fantasy sequences and through the use of documentary interviews. Prompted by the filmmaker, nine teenagers individually act out their secret dreams and, between times, talk about their world as they see it. The fantasy sequences make creative use of animation, unusual film-development techniques, and stills. Babette conceives of herself as an abbess defending her fortress, a convent; Michelle is transported in a dream of love where all time ceases; Philippe is the revolutionary, defeating all the institutions that plague him, and so on, through all their fantasies. All the actual preoccupations of youth are raised: authority, drugs, social conflict, sex. Jutra's style in "Wow" exhibits his innovative approach to storytelling and filmmaking, showcasing his talents as a director during that period. With English subtitles.

Easy Lessons

Kafia, a young girl on the brink of adulthood, has to leave behind a lot of what defined her Somalian life as she tries to adapt to her new existence in Hungary. As the family’s cultural values and taboos start to fall apart, Kafia tries to explain and make sense of all these changes to her mother left behind.