Spoons and forks bend and these movements remind you of plants. They are unnatural movements but why can we easily accept them? "Supernatural power" is expressed as a "beauty", not with an occult point of view.
A comedy about Yossi, a charismatic Kosher butcher who loses his job, cannot find work at other Kosher butchers, and decides to pretend to be Muslim in order to get work at a Halal butchers.
Hallo Mabuse captivates through its reduction, in which a conspiratorial narrative takes place, but even more so, the images themselves appear ambiguous, obscure, untrustworthy. A nod of the head, which seems treacherous in its mechanical repetition, meets the profile of a bearded man who does not appear to react at all in a suggested counter shot. The slight flickering of the image further intensifies the impression of an illicit agreement, of witnessing a crooked handshake. The ringing of the unseen telephone and the constant ticking of a clock lend the events a limited temporality. Something is running out, and in doing so, is also already reaching its end, a ghostly final act, which is anticipated by an explosion and breaks off with the sound of a falling guillotine.
All images were shot on 16mm film in the shadow of the Ryman Auditorium on Lower Broadway, a section of Nashville that has for decades attracted country music fans to its honky tonk bars. The visual effects were composed in-camera, while shooting on the street. This film was supported in part by the Tennessee Art Commission.
A crazy journey into the night.
Using century old technology, PXXXL creates digital glitch from analog process. It was animated directly on the celluloid without a camera, in a darkroom, using lights, objects, and handmade lenses. There is no digital manipulation involved-- just light, celluloid, and processing.
People of different ages and corporalities live an approach with their body in search of the exploration of their sexuality, moving away from the constructions and social taboos.
Jérémie has a job recruiting subjects for testing. He'd rather recruit Rodrigue for something else entirely.
It's the run up to prom night for Leila and her friends in the Garw Valley. With money tight, and the pressures of the cost of living weighing heavy on her shoulders, will it stop Leila's celebration?
Having recently moved to the village of Ynysybwl, 12-year-old Ricky Runnerbean is challenged by the territorial Bwl Boys gang, and his courage is put to the test.
Using the basic nutrients protein, fat and carbohydrates as examples, the film provides an introduction to the complicated processes of digestion. Our digestive organs are presented schematically. It is shown that the interaction of the digestive organs prepares the food we eat and makes it absorbable. The absorbable food components enter the organism's metabolism and serve to build up the body and generate energy.
Bartholomew, an insecure, by-the-book perfectionist, is tasked with welcoming the recently deceased to heaven's waiting room. Peter, his first death, challenges him to face his fears, doubts and insecurities.
Inside a block of flats, a young woman decides to act about something concerning her for a long time.
Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.
A sci-fi horror film based on the story by Stephen King. A first person POV perspective allows the audience to get inside the head of an astronaut trapped in a spaceship, as a strange virus grows inside him, altering his mind. To save himself he must take drastic action.
When a crook decides to go straight, his jealous cast off moll exposes him to the police.
June never leaves her apartment, which has a view of an advertising sign of a knight in shining armor. She is two weeks behind in her rent and believes that if she leaves the apartment, the landlord will never let her back in. The only way she gets food is when her friend, singer Earlayne Schools, brings it to her. One evening June sees Hal, a tap-dancing sign painter, painting over her knight. She explains her predicament, and he does his best to help her out.
When Sam, a woman mired in regret, goes to visit her aged parents, the disappearance of her mother's pet bird threatens to unravel her tenuous hold on life.