Fabrizia Posada
as Verônica
Mateus Peralta
as Vendedor diabólico (voz)
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
When a tourist bus stops at a gas station, Chencho, one of the passengers, decides to go to the toilet.
Isaac has seen better days. His acting career is tanking, his blind girlfriend of 10 years plans to leave him, and his own family singles him out as a constant disappointment. Even as he takes a chance on new romance, he struggles to define his place in a world that has seemingly turned against him.
After their mother ends up in jail, two sisters turn to train robbery in order to support their family.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
A strict elderly teacher suddenly begins to seem (or not to appear?) That the students in her class are no longer children, but terrible monsters, pursuing their mysterious goals.
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
Bridget Jones is an average woman struggling against expectations. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. Her charming boss takes an interest in her, and she cannot stop running into a rather disagreeable acquaintance whom Bridget cannot help finding quietly attractive.
A random encounter with a lost beauty leads a dashing Driver to a party where he meets a duo of alluring friends. Little does he know that their seductive game holds a shocking twist, as their night together takes a thrilling and life-altering turn. "Dinner is Served" is a satirical short film that combines elements of horror, thriller, action, and dark comedy to explore the susceptibilities of men to female manipulation. Through a playful twist on stereotypes, the film probes the moral boundaries molded by established social norms, including an often-exaggerated ethos of veganism.
While going for a casual jog on bright yet cloudy morning, a young girl discovers the dead body of a teenager. But when she recognizes the face of the cadaver, she comes face to face with her own dark secrets.
In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.
Leon's boss buys a racehorse, but doesn't want word to get out that he is the owner, so he has the papers filled out showing Leon as the owner of record. At first, Leon is excited, but the arrangement soon creates difficulty for him. First, he knows nothing about horses except how to bet on them, and second, when his wife finds out, she is furious.
The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit. In order to clear their name, and regain their status, the Bellas take on a seemingly impossible task: winning an international competition no American team has ever won. In order to accomplish this monumental task, they need to strengthen the bonds of friendship and sisterhood and blow away the competition with their amazing aca-magic! With all new friends and old rivals tagging along for the trip, the Bellas can hopefully accomplish their dreams.
Allan Gray, a young man fascinated by the supernatural, goes to a small village where he feels a sinister force descending upon him. There, Allan meets an old man who asks him to protect his two daughters, for one of them has been bitten by a vampire.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
