The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.
Silvana Alarcón Sánchez
as Herself
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
The 1905 law proclaiming the separation of church and state is 120 years old. This law affirms freedom of conscience and religious freedom. It is considered the founding text of secularism. Secularism is the subject of endless controversy and debate.
This documentary profiles economist and writer Marilyn Waring. In extensive interviews, Waring details her feminist approach to finances and challenges commonly accepted truths about the global economy. The filmmakers detail Waring's early rise to political prominence and her successful protests against nuclear arms. Waring also speaks candidly about wartime economies, suggesting that government policies tend to marginalize the fiscal contributions of women.
“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.
Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.
Exploring the concept of the Ecology of Emotions, this musical film portrays an inner journey through the secret garden of creativity put into frame by the nature of Iceland. Hidden Eden is a metaphor for our inner secret garden of creativity. This project bloomed during an art residency in Iceland, sparked by conversations around our shared philosophies on voice and emotional connection. The nature of Iceland inspired us to make the connection on how the landscape reflects the emotional states of creativity and how it helps manage the homeostasis of our inner emotional landscapes. This exchange between emotion and the landscape opens a space for healing. Creativity provides us with the tools to access a garden of our authentic being, nourishing and balancing us. Allowing ourselves to explore the spectrum of our emotions through the lens of our relationship with the Earth invites others to do the same. The creative process can affect our well being and is a key to human evolution.
Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.
Widerstandsmomente (Moments of Resistance) carries voices, writings, and objects from the anti-Nazi resistance into the present. Politically engaged women of today respond to historical resistance and make links to current events. A line is drawn from what was before and what is today to what might be: a society based on solidarity without discrimination or exclusion.
For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
In World War II. African-American GIs liberate Germany from Nazi rule while racism prevailed in their own army and home country. Returning home they continue fighting for their own rights in the civil rights movement.
As America's first international woman concert pianist, renowned lecturer, author, music critic, famous conductor's wife and champion for equal rights for women in music, Olga Samaroff was at the center of a musical life that to this day embodies the imprint of her artistry and achievements. Her life story also portrays an era in our American cultural heritage that has largely been underserved in the documentary film genre. Texas-born Olga Samaroff a.k.a. Lucy Hickenlooper lived at a time when music was dominated by men and Old World prejudices----and she emerged as a leader among many. Against tremendous odds she rose from complete obscurity to be the most successful American woman concert pianist of the early 20th Century.
The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.
From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.
From her precocious status as a sex symbol to her consecration as a filmmaker, Jodie Foster's story is about a feminist struggle, albeit atypical, fought on and off the screen. This film sets out to retrace her remarkable journey within the Hollywood industry.
Mesa Posta is a film that lives off the violence of a life, which is shown in the simplicity of the gestures of the person who plays it. The habits, beliefs and moments of this story are told in the act of setting the table, then the brutality of life is confronted by the beauty and the grace of the objects that make it: the table is set as life is told.
Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.
The Feminist Library: A Short Film was made in support of the Save the Feminist Library Campaign, documenting a crucial moment in the library's herstory as it fights for its very survival. Shortlisted for the Women's History Network Community Prize, the film revisits the story of the library's inception and emphasises why feminism remains essential today.
