Fascinating underwater documentary filmed with hand-held cameras by frogmen and mostly filmed in deep-water seas from within a special designed batiscaff, by the Cousteau family of sea explorers. Preserved by the Academy Film Archive in 2010.
Jacques-Yves Cousteau
as Self (uncredited)
Mixing narrative and documentary, the film retells a 16 year old girl's experience of a date rape.
This film is an account of the Talyllyn Railway, a historic narrow-gauge slate carrier in Tywyn, Wales, and its operation by a preservation society who saved it from being sold for scrap. Although the release date is 1965, it was actually filmed in the early 1950s. Preserved by the Academy Film Archive in 2012.
Short documentary extolling the virtues and necessity for women to participate in America's preparation for war, showing women working in scientific, industrial, and voluntary-services activities. Preserved by the Academy Film Archive in 2008.
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.
Shot on the Great Barrier Reef in Australia and in the Bahamas, Ocean Wonderland brings to you the amazing beauty of the many varieties of coral and the immense diversity of the marine life thriving there.
Documentary short subject preserved by the Academy Film Archive, from the Marshall Plan Collection, in 2003.
A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.
Described as being a film about determination, danger and the ocean’s greatest depths, James Cameron's "Deepsea Challenge 3D" tells the story of Cameron’s journey to fulfill his boyhood dream of becoming an explorer. The movie offers a unique insight into Cameron's world as he makes that dream reality – and makes history – by becoming the first person to travel solo to the deepest point on the planet.
This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain. Preserved by the Academy Film Archive in 2010.
Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.
Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
This films reveals the extraordinary variety of life found in the vast blue expanses of the open ocean. Here, all the action takes place in a 10 metre deep band of water, just under the surface. Many species use this section of water to migrate and hunt while others use ingenious ways to stay hidden where there appears to be no shelter.
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.
