Short experimental film by Nan Wang
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
The story follows an elderly man on his deathbed who gives his young grandson a pocket watch and warns the boy against the dangers of letting time slip away.
DBtH! is a silent looping video intended for screening on public surfaces in gay neighbourhoods across Canada. It beckons viewers with sensuous displays of queer public affection paired with scrolling text that both provokes and informs. This site-specific work claims public space for queer intimacy and political imagining at a time when Canadians are being encouraged by both the federal government and LGBT civil society organizations to celebrate the so-called 50th anniversary of the decriminalization of homosexuality.
Things get hairy when Zack convinces Jakki to spend the day making wishes on a Monkey’s Paw. Soon the two find themselves doing backflips trying to undo the cataclysmic series of events they’ve set off.
In the early sixties, a sexually conflicted teenager finds faith and acceptance after escaping the tortures of electrotherapeutic conversion therapy.
A man is observed under objective, inhuman surveillance.
In this musical short, a man tries to woo the manager of a dance troupe.
A friendly employee gives useful tips for your new job, but is interrupted.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Two home invaders want some nuts and will do anything to get them.
A banana grieves with the death of its friend.
At a crisis center in late 1971, a freshly minted counselor on the late shift takes his first call: a suicidal teenager whose parents won't let her come home for Christmas. The call exposes truths about each that lead to a surprising conclusion.
