Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
Robin Pecknold
as Self
Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
True Beauty is often said to be determined by the eye of the beholder, but many don't open their eyes to see it.
During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.
A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.
The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
A teenage pianist delivers a chilling performance.
Singer Tina Turner rises to stardom while mustering the courage to break free from her abusive husband Ike.
A young boy and his sister are drawn into one man's obsessive pursuit of his former lover.
When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
Dorothy Gale, a shy kindergarten teacher, is swept away to the magic land of Oz where she embarks on a quest to return home.
A musical fantasia on religion and the nature of exploitation.
Aja was the biggest selling album of Steely Dan's illustrious career. It was the first album by Donald Fagen and Walter Becker as a duo. Fagen and Becker recall the history of the album, along with Peg, Deacon Blues and Josie. Michael McDonald, later of the Doobie Brothers did guest backing vocals on Aja, the late British musician Ian Dury, record producer Gary Katz and the legendary session musicians who worked on Aja also contribute. This is a vivd portrait of a 70's record that is still as fresh and as memorable more than two decades after its release.
Paris Hilton's musical journey unfolds through rare footage and intimate moments, from her debut album to her latest work. A raw look at her evolution as an artist and icon, blending performances with personal revelations.
After successfully trapping all the monsters back in the box, Maya is sent to the underworld whilst Mia is visited by two hunters, Thorn and Burt, who have been watching the sisters all this time. Maya faces her past as she must reunite with the monsters to escape Mythos. Unbeknownst to her, Mia journeys through Mythos to warn the monsters about the hunters' true intentions.
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).
A short film to accompany Molly Santana's second studio album.