Salif Keita
as Self
N'Doumbé Djengué
Glaucus de Oliveira Xavier
Mokhtar Samba
Souleymane Doumbia
Manu Chambo
In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
Road documentary that delves into the musical and religious expressions of sub-Saharan Africa. Through Mauritania and Mali, the film documents the lives of Dogon, griots, musicians and instrument makers who, through oral accounts, explain why music plays a fundamental role in the socio-religious organization of peoples. The film culminates its search with the recording of the performance of the traditional Dogon mask dance, in Begnematou, a small village lost in the desert.
Thursday 27th of October 2016 – Teatro Espace, Turin. Mulatu Astatke is a musician, composer, arranger and Ethiopia’s cultural ambassador. He’s known as the godfather of ethiojazz, a unique blend of jazz, traditional Ethiopian music, latin, caribbean reggae and afrofunk. Born in 1943 in Jimma, Mulatu studied music not only in Ethiopia but also in UK and USA. In 2005 he contributed to the soundtrack of Jim Jarmusch’s film “Broken Flowers”, reaching a new public worldwide.
How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
Travel with Major Lazer to Ghana and Nigeria to make the world smaller by making the party bigger. They are collaborating with cutting-edge Afrobeats artists including Mr.Eazi, Efya, Teni, Sarkodie and Amaarae as they explore the culture and history of Africa. Chasing the Sound: Major Lazer, watch now only on YouTube.
Vodoun Gods On The Slave Coast explores the ceremonial splendor of sacred dance and ritual in Benin, the birthplace and cradle of Vodoun. Formerly known as Dahomey, Benin was also called the Slave Coast due to its importance in the trans-Atlantic slave trade. Today, the worship and supplication of Vodoun gods remains integral to everyday life in Benin.
The story of the Candeal favela in Salvador de Bahia, Brazil, where musician Carlinhos Brown carries out social and cultural initiatives that protect and enrich the lives of its inhabitants every day.
Robert Plant formed his current band The Sensational Space Shifters in 2012 and has been recording and touring with them ever since. Robert Plant has always introduced music from many cultures into his work and the Sensational Space Shifters blend of African rhythms and melodies, rock music, and folk roots is his latest incarnation. In October 2016 they took part in David Lynch's inaugural Festival of Disruption at the Ace Hotel Theater in Los Angeles, an event that raised funds for The David Lynch Foundation. The set featured tracks from the band's 2014 album Lullaby and...The Ceaseless Roar alongside fascinating Space Shifters re-workings of Led Zeppelin classics.
Afrobeat pioneer Fela Kuti performs at the 1984 Glastonbury Festival. Originally produced for Arena.
World première recording of Hannibal Lokumbe's 'spritatorio' Can You Hear God Crying, which combines jazz, gospel and chamber music with West African prayers and songs. The piece, commissioned by Philadelphia philanthropist Carole Haas Gravagno, is about the composer's great-great-grandfather, who was born in the Sahara, kidnapped and enslaved in Liberia, and sold at auction in Charleston, S.C. He escaped to Texas, where he bought land and had a family.
Caught in the stranglehold of debt and structural adjustment, Africa is fighting for its survival. In the face of disaster, representatives of African society bring an action against international financial institutions. The trial takes place in Bamako, in the yard of a house, among its inhabitants.
The film is primarily a portrait of Kam Kelly, who teaches West African drumming to students at various New York schools, including Intermediate School 292 in Brooklyn. One of his students, Jessica Jackson, is featured. The piece was commissioned for the “Crossing Brooklyn Ferry” festival at the Brooklyn Academy of Music in 2012.
Beginning in South Africa under the apartheid regime, the film follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa.
When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.
Machanic Manyeruke is the founder of gospel music in Zimbabwe—though, his influence reaches far beyond the borders of his African country. Filmmaker James Ault places Manyeruke in his contexts and explores his influence on gospel music worldwide.
Two Malian teenagers, Bah and Batrou, from different backgrounds, meet at secondary school. Bah is the descendent of a great tribal chieftain. Batrous father, a provincial military governor, represents the new ruling power. The two teenagers are part of a generation that rejects the established order and challenges the society in which they live.