A neglected mother is tempted to stray, but she is saved by her baby's voice, whom she hears talking on the telephone.
Marguerite Snow
as Rose Mackey - the Mother
Helen Badgley
as Ruth Mackey - the Baby
Florence La Badie
as The Telephone Operator
Forced to wear quaint short dresses and pigtails so that she will inspire her grandfather's sentimental poetry, nineteen-year-old Joy Havenith longs for companions of her own age.
The Unwritten Law is a 1916 drama
Mother O'day, running her saloon after the death of her husband, places her daughter in the care of Mrs. Kendall, a high society woman. Later, in the prohibition era, Molly returns to the saloon-turned-cabaret as a flapper with her co-star Mark Roth. Considered a lost film.
Rose Jorgenson, a poor tenement dweller who lives with her daughters Rose and Norma in a slum and whose husband is in prison, finds out that he is to be electrocuted. Distraught, she commits suicide. The children are adopted--Rose by the wealthy Judge Keith, who brings her up in the lap of luxury, and Norma by a poor neighbor, who raises her in the squalid tenement she was born in. After they reach adulthood Norma is hired as an assistant to the shady hypnotist Caistro, who also knows Rose and notices the strong resemblance between the two. Complications ensue.
Henry intends to leave his wife for Mrs. Lenning but seeks to retain custody of their son, leading to a situation where they attempt to force Mrs. Jackson to run away, allowing him to secure a divorce.
Chorus girl Teena Johnson may be "hard-boiled," but she's no golddigger. Thus, when the father of her wealthy sweetheart Kyle Stannard tries to buy her off, Sally refuses the money. She sticks by Kyle even after he is disinherited and forced to go to work. The financial strain on the young couple's marriage eventually takes its toll, and before long they separate, with Sally returning to the chorus line to square her husband's debts.
A jockey finds himself caught in a web of corruption. He is heavily pressured to "throw" The Derby, one of the most prestigious horse races in the world. The primary source of this pressure is the wife of a Member of Parliament, who is deeply involved in gambling and uses her influence to try and manipulate the outcome of the race for her own financial gain.
Railroad executive Anthony Blake while navigating a divorce from his discontented wife brings his loyal secretary, Cara Deene, to live at a farm, paying her to act as his companion, which leads to scandalous misunderstandings.
American author John B. Smart, searching for solitude and an atmosphere for a new story, purchases an old castle in Switzerland. He discovers the beautiful Aline hiding with a baby in the east tower. Daughter of an American millionaire she on running from her ex-husband Count Tarnowsky, who squandered her money and treated her brutally, but whom the courts have awarded their child. The Count arrives confronting John who overcomes him and has him thrown into the dungeon. Smart, Aline and her child flee on a sleigh speeding towards the Italian border with the escaped Count in pursuit. In the nick of time they safely cross the border and Aline consents to be John's wife.
A sorrowing mother, bereft of her infant, visits a foundling asylum and adopts a baby girl. The young window lavishes her love and care on the adopted infant and her environment is the finest. Father Time present the baby with an hour glass containing "The Sands of Time" which are all in the upper part of the glass.
Mrs. Adams (Hedda Hopper) succumbs to the spirit of jazz, moves into her own apartment, and even has an affair with Mr. Bell (Charles Richman), the father of her son's sweetheart. Miss Bell (Elinor Fair) discovers their meetings, and only then does Mrs. Adams realize the unhappiness she has caused. Shortly thereafter, she effects a general reconciliation.