Nunca as minhas mãos ficam vazias

Pixel

At the crossroads of arts, bodies and images merge to create a world of poetry and dreams.

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Antonio Gades, la ética de la danza

Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.

Dance on Film: BBC Introducing Arts

Acclaimed dancer Carlos Acosta introduces a new generation of film makers who use b-boying, ballet and contemporary dance to tell their stories. Subjects range from dancing in a bingo hall, acid attacks, body image and wellbeing and the mystical world of baby eels. Each is a remarkable fusion of dance and film. Anatomy of a Crooked Spine; Blast; Elver; Full House; I Am Soldier; I Dance Best with You; Inside; Inside We Break; Manmade; Petals and Pain; Scapelands; We Are Ready Now; We Are Always Here; Do I Have Free Will?

Rize

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

Busby Berkeley: A Journey with a Star

Profile of famed dance director Busby Berkeley's career, in particular "The Gang's All Here"

Dancing with the Body

The lives of Jaipong dancers who persistently uphold tradition amidst economic pressures and changing times. Through their moving bodies and distinctive voices in traditional performing arts, these women dance not only for the stage but also to survive. Their voices, whether vocal expressions, soft utterances, or sinden singing, serve as the living spirit and "voice" that sustain and preserve their cultural heritage. An intimate portrait of resilience, steadfastness, and the voice in traditional arts that is gradually being marginalized.

Los posibles

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

Como se Ninguém Estivesse Olhando

Bubble

Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.

Closer to the animal

Marta Cardoso, a young dancer from northern Portugal, moves through Lisbon with restless energy, between precarious routines, affections, and a daily life in constant imbalance. Dance becomes her refuge and her cry: a space where the body finds freedom and instinct, and where gesture replaces words. When dancing, she feels close to her inner animal.

Back To Africa

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

No Palco

Dancing the Nutcracker: Inside the Royal Ballet

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

Dancing Holidays

Ballet by the Lake: The Wilderness Ballet Camp in Ontario's Algonquin Park. Dancing on the Rockies: The Banff School of Fine Arts ballet class practises out of doors.