Ben Fogle uncovers one of the untold stories of the Falklands War - a battle fought by 30.000 British Marines against an Argentine invading force ten times that number.
Ben Fogle
as Presenter
The film centers on the experiences of Robert Lawrence MC, an officer of the Scots Guards during the Falklands War of 1982. While fighting at the Battle of Mount Tumbledown, Lawrence is shot in the head by an Argentine sniper and left paralyzed on his left side. He then must learn to adjust to his new disability.
Thirty years after the Falkland's War, journalist and military historian Max Hastings explores the conflict's impact and its legacy. Hastings, who sailed with the Task Force in 1982 and reported on the Falklands campaign first-hand, looks at how victory in the South Atlantic revived the reputation of our armed forces and renewed Britain's sense of pride and its image abroad after years of decline as an imperial and military power. Hastings examines how the Falklands provided a model of a swift and successful war that was matched by other conflicts Britain fought at the end of the 20th-century. In contrast, the long campaigns in Iraq and Afghanistan have left the British public sceptical about sending our armed forces in large numbers to war again. The Falklands could well be the last popular war Britain fights, and certainly the country's last imperial hurrah.
The drama tells the story of an Argentine elementary-school teacher sent by the government to a rural hamlet located in the northwestern province of Jujuy. It shows how he touches the lives of the villagers, especially the young and impressionable boy Verónico, whose mother died and father left to seek work when he was an infant. The film is based on a non-fiction book written by Fortunato Ramos, a rural teacher in northwest Argentina, that discusses his teaching experiences.
A single female voice sings of waiting in her garden for her ‘dark-eyed sailor’ to return from war, bearing the other half of their token, a gimmel ring. Three veterans pass on the road as she waits, and she asks them: “When you were fighting in distant lands, did you think of the home you left?” In reply the veterans relate their recollections. The garden images in the accompanying film represent ‘home’, but also stand for a more general possibility of redemption, of the potential of the past to return at any time, disguised and changed, to renew the present: “Each moment of time is a garden gate,” the song goes, “Through it my love may walk.”
Zimbabwean landmine clearers Shame and Cosimas, as well as medic Previous have been traveling to the other side of the world for years to clear mines in the British Falkland Islands. In the subpolar cold, between sand dunes and penguins, they defuse and blow up the legacies of a forgotten war.
Mike Brewer sets off on a journey of discovery to find out the story of one of the most remarkable aircraft in the British Armed Forces: a Chinook helicopter code named Bravo November. By doing so he examines the invaluable contribution that these helicopters have made to campaigns from the Falklands War to modern day British Military service over the past thirty years.
The Falklands Play is a dramatic account of the political events leading up to, and including, the 1982 Falklands War. The play was written by Ian Curteis, an experienced writer who had started his television career in drama, but had increasingly come to specialise in dramatic reconstructions of history. It was originally commissioned by the BBC in 1983, for production and broadcast in 1986, but was subsequently shelved by Controller of BBC One Michael Grade due to its alleged pro-Margaret Thatcher stance and jingoistic tone. This prompted a press furore over media bias and censorship.The play was not staged until 2002, when it was broadcast in separate adaptations on BBC Television and Radio.
Based on actual accounts, this film portrays the days and hours before and during the invasion of the Falkland Islands by Argentina, which eventually lead to the Falklands War. As the Argentine forces land on the main island and make their way towards Government House, the handful of British defenders batten down the hatches and prepare to defend Governor Rex Hunt, his family, and their fellow islanders from the invaders.
A look at the life of Margaret Thatcher, the former Prime Minister of the United Kingdom, with a focus on the price she paid for power.
Five years after the war in the Falklands between Britain and Argentina, many facts were still wrapped in red tape. Many of the key figures had remained silent. No-one had been to Argentina to tell the other side of the story. For the majority of the British people, the war was another glorious chapter in their history. With flags waving and bands playing, British troops had sailed away to repel the invaders. Patriotic emotions were stirred as they returned victorious. Government MPs tried to get the film banned, but Yorkshire TV's telephones were jammed with messages of support from wives and mothers of those who died in the conflict. Called 'the documentary to end all documentaries about the Falklands War' in the British press, it was also described as 'more poem than polemic - a hymn against war'.
A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.
Documentary film about the then longest range bombing mission in history, which changed the outcome of the Falklands War.
The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.
To mark 30 years since the Falklands War, this documentary follows three men back to the islands. For veteran Simon Weston, the journey is an opportunity to experience some of the stunning wildlife on Sea Lion Island.
Argentine film about the experiences of conscripts in the Malvinas Islands War.
On the 40th anniversary of the conflict, senior commanders and ground troops reveal how a series of mistakes nearly cost Britain its hard-won victory over Argentina in the South Atlantic.
A story told by ten men who fought together in the Falklands War, with unflinching honesty, discussion of life-changing moments of combat and how they have come to terms with them since.
The Falklands War began on April 2, 1982, with the Argentine landing on the islands ordered by Leopoldo Fortunato Galtieri, and culminated with the cessation of hostilities between Argentina and the United Kingdom of Great Britain on June 14, 1982. Through dynamic editing and the use of archival materials, the documentary considers the war as part of our recent past, but also opens up multiple questions and reflections on contemporary society and the future projection of what such a conflict generates for us Argentines.