During the most magical day of Finnish summer, two young maidens practice folk magic and dance around a Midsummer bonfire.
Ida Kumpulainen
as
Tuulia Lautamaja
Left penniless by her vengeful ex-husband, Madeline is forced to become a pickpocket to pay for a new wardrobe. One of her victims is a Mr. Finlay, who threatens to turn her over to the police -- until he hears Madeline's woeful tale of her cruel, possessive husband.
A young man gets engaged to a business competitor's daughter.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
When a thirsty sanguisuge emerges from a century long slumber, he finds the world and his helpless victims terrifyingly changed.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
The daughter of a count and the son of a shoemaker, both Hungarian, fall in love in America. As they're about to marry, the young woman is called back to Europe. When her betrothed goes after her, difficulties ensue.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
Anna Moore, a poor orphaned country girl, and her little brother, Tommy, live with hypocritical Squire Simpson, who conspires with his son to acquire the inheritance due the girl.
A curious student sets out to uncover the secrets of the mysterious Skibidi Toilet, but the deeper he digs, the more dangerous it becomes. His professor tries to guide him—but dies under strange circumstances. As the truth emerges, the Skibidi Man reveals himself, leaving terror and chaos in his wake.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Two friends, Fritz and Theodor, make the acquaintance of Christine and Mizzi, who are also friends. Fritz is immediately captivated by Christine, who is bashful and modest as opposed to the eager, effervescent Mizzi. But even though the love between the two grows, Christine is not the only woman in Fritz’s life. His affair with a married woman will prove to have fatal consequences.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...
A man stays with a fisherman and his adult daughter in coastal Finland, develops feelings for the daughter and begins to uncover a terrible secret haunting the family.
Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.
An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'